This will be a short one, written just before I’m going on vacation. But this 200 page novella was such a delight to read, I decided to write a quick post and schedule it for publication during my escapade. I’m actually somewhere in Apulia right now, don’t expect many comments from me until July 16 😉 (well, maybe some, I’m not going totally off the grid…).
Ok, time for formalities…
Author: Margaret Atwood
Title: The Penelopiad
From the author of The Handmaid’s Tale, I give you a short, very special re-telling of the Odyssey. Serious, but light, funny, but making a few pointed accusations and changing the moral of one of the best known stories mankind ever produced. A treat indeed!
In preparation for the upcoming conclusion to McDonald’s trilogy, Crowfall, I decided it was high time to share my thoughts about Ravencry, which I read back in February, right after I finished Blackwing. Talk about procrastination 😉
While Blackwing was a powerful new entry into gritty military fantasy, well-written, riveting and – what’s quite astounding – a debut, Ravencry was even better. With the world and main characters already established, McDonald focused more on character development and intrigue, introducing a much better fleshed-out – and truly creepy – villain, believable motivations, and delightfully raised stakes. All in all he succeeded in smoothing the rough edges of his original creation while keeping all the grimness, bravado and rakish charm I appreciated in Blackwing.
Piotrek: The fifth one, huh? Well, this time we have a real treasure. We debated for a while, if it can be counted as one of the Nostalgia Posts, and decided that yes, why not? After all, we’ve been reading Pratchett most of our lives, and we feel pretty nostalgic about both the author and his works. Well, one difference between that and all the others – there isn’t a large gap between our first childhood encounters with Sir Terry and recent re-reads. Me, at least, I would read a Discworld novel or two at least every once in a few years.
Robert Holdstock was a distinguished British writer whom I already reviewed once. His Mythago Woods is a great, if a bit rough, journey through the world of Celtic – and earlier – myths connected in a very real way to a modern (well, post-II WW anyway) world. Mythago… is a first part of the Ryhope Woods cycle, whereas The Fetch is a stand-alone novel, but we stay in the general area of myths, archetypes, and British countryside. But while the previous one was scary at times, Fetch could well be called a horror story. I could see it being adapted to the big screen (or Netlix 😉 ) as a classical horror with an Omen vibe (without Christian references).
Having followed advice of the inestimable Bookstooge, I decided to embark on another bloody literary journey, but this time a decidedly hi-tech and futuristic one. Neal Asher’s Polity novels had been described as ‘a more action-packed Culture’, and it’s a description I find at once very apt and quite misleading ;). The world of Polity is indeed similar to Banks’s Culture in that it is an ever-expanding and galaxy-spanning political entity of humans inhabiting planets and space stations, all governed and kept together by extremely sophisticated AIs. The AIs have distinct personalities which are, as expected, highly logical and possessed of a worldview undoubtedly more affected by their computing skills than by any emotions, though they seem to feel them too – especially curiosity. In short, however you would slice it, they are not human. Their ascendance to the position of power in the human Polity has apparently been bloodless and quite benevolent, humans having realized that it’s ultimately for their own betterment – and that the other choice they have is definitely worse. The AIs act more like managers than dictators, quite content to improve the lives of Polity citizens and repel any possible threats. And there are threats aplenty, as on many worlds human populations hadn’t joined the Polity, mostly due to political differences (especially autocratic and religious regimes seemingly disapproving of the entire concept of Polity or even the existence of AIs). The major one is posed by Separatists, a loose coalition of terrorists, interest groups, or even governments happy to use Polity’s technology to bring about Polity’s demise, and they are a constant source of interest to ECS – the Earth Central Security agency, consisting mostly of human agents dealing with out-Polity threats.
Ola: That’s the way fairy tales start. Once upon a time, beyond tall mountains and vast rivers, a mysterious hero was born who had changed the fate of his tribe/community/nation/humankind. Led by fate, S/He had many dangerous and tasking adventures, had to overcome many deadly foes, traps and tests in order to come back to Her/His home with a great boon of miraculous nature and redeem Her/His people.
Nothing original, really, especially considering the fact that George Lucas’s creation of his famous saga had been significantly inspired by Joseph’s Campbell The Hero with a Thousand Faces. The theory that most of the world myths conform to one, simple pattern modeled on the rites of initiation is as suggestive as is ultimately misleading – and yet Lucas in his creation of Star Wars universe managed to strike a chord with millions of people worldwide, envisioning a world like – and yet unlike – ours, just exponentially bigger and vivid.
Starships! Knights! Droids! Magic! Princesses! Scoundrels with hearts of gold! Vile emperors! Cuddly little creatures! Breathtaking vistas of planets and space! It’s all there, and more – and everything is suffused by Force, a mana-like, magical power binding every living thing in a net of awareness.
Piotrek: It is a simple story, of a young man going from zero to a hero, discovering his heritage and coming to his power. A story like countless others, but in space.
Not a very realistic space, there aren’t that many attempts to pretend that, it is not hard science fiction that would try to propose a likely vision of space-travelling humanity of the future. This story takes place long ago, like the stories of Gilgamesh or Theseus, and takes a structure immediately familiar to audience from any cultural background.
Campbell is an obvious inspiration, and that’s something Lucas freely admits.
Ok, so here goes the very first re-post, as we decided to occasionally make our new readers see some of our early posts. This one is from 2015, one of the first after we decided to fully switch to English. It’s one of my favourite reviews of one of my favourite books. Nothing too add, I stand by what I wrote back then 🙂
Have you seen „The Sword in the Stone”? Nice Disney classic, „not much plot but great for little kids.” as an imdb reviewer noticed. I concur. It’s a nice watch, it’s deeper than most Disney movies even. But it’s just 10% of shiny stuff taken from the top of the novel that inspired it – the first part of “The Once and Future King” tetralogy by Terence Hanbury White.
A tetralogy consist of “The Sword in the Stone”, “The Queen of Air and Darkness”, “The Ill-Made Kinght” and “The Candle in the Wind”. There is also “The Book of Merlyn”, published posthumously, book that I prefer to pretend do not exist. They tell the story of king Arthur, from childhood to (spoiler alert) hist death in battle with Mordred.
The book is not for kids. There is humour and songs, just as in animated version, but it’s…