Melissa Albert, The Hazel Wood (2018)

The Hazel Wood

Author: Melissa Albert

Title: The Hazel Wood

Format: E-book

Pages: 359

Series: The Hazel Wood #1

So many people recommended this book that I couldn’t not read it at some point. As it was available at my library as an e-book during lockdown, I jumped at the opportunity – and now here we are 😊.

The Hazel Wood tells the story of a seventeen-year-old Alice Crew and her mother, Ella. Finally settling down in New York after years spent on the road, they hope for a change for better – until the ill luck that kept hunting them throughout their whole lives catches up with them. With her mother kidnapped by strange, dangerous creatures, it’s down to Alice and her school friend Ellery Finch to find Ella before it’s too late. And while Ella stubbornly kept Alice away from her grandmother and the sprawling, infamous Hazel Wood estate, now Alice has no choice but to find and visit that tantalizing, mysterious place – for all the answers to the questions that haunted her all her life might await her there.

The Hazel Wood is a curious book, part-fairy-tale, part-YA fantasy, part-modern UF.  And I guess that this hybrid construction is ultimately the reason for the novel’s unevenness; namely, some elements of Albert’s story work better than others. The book can be roughly divided into two parts: the first, taking place in the normal, contemporary world, bereft of magic, and the second, playing out in the Hinterlands – The Hazel Wood’s equivalent of Faerie. The everyday world of The Hazel Wood is a reflection on modern America, with its starkly contrasting social divides – both between the rich and the poor, and between urban and rural areas, all subtly painted by Albert. On that canvas, which could well serve as a basis for all types of books, from thrillers to literary fiction, Albert sketches a plethora of even more disturbing shapes – these of a hidden, dangerous world, filled with ruthless, amoral creatures somehow able to find their way to our world and wreak havoc in the unsuspecting sleepy suburbs. I really admired the little touches of wild fairy-tales, seemingly without beginning or end, without a discernible moral, but with an overabundance of wilful, gory violence. Those snippets brought to my mind the original Grimm tales – similarly violent and bloody, based on a primeval notion of justice: an eye for an eye, a tooth for a tooth. And the way Albert wrote about the tales, as of cool, distanced reportages from war, also recalled the curiously impersonal way brothers Grimm applied to their own collation of folklore tales.

Continue reading “Melissa Albert, The Hazel Wood (2018)”

Brian McClellan, Uncanny Collateral (2019)

43714151._SY475_

Author: Brian McClellan

Title: Uncanny Collateral

Format: epub

Pages: 96

It’s been some time since I’ve read a really new genre book… Now, I finally did, but, despite it being from one of my favourite young writers, I’m not very happy about it.
Brian McClellan is one of our favourite new authors, his Powder Mage universe – one we greatly appreciate. Great ideas, great characters, constantly improving writing. I’m yet to read his second Powder Mage trilogy, but it’s only because I’m certain I’ll like it and I’m saving it for later.
When I read in his newsletter he wrote a short urban fantasy novel, I was intrigued and immediately bought an epub (pdf and mobi included in the package). I read the first chapter that very day, two further ones during the next couple of weeks, and finished this very short thing only recently, during a flight. Why? Well…

Continue reading “Brian McClellan, Uncanny Collateral (2019)”

Robert Holdstock, The Fetch (1991)

Author: Robert Holdstock

Title: The Fetch

Edition: Warner Books, Paperback

IMG_20190609_184200

Pages: 376

Robert Holdstock was a distinguished British writer whom I already reviewed once. His Mythago Woods is a great, if a bit rough, journey through the world of Celtic – and earlier – myths connected in a very real way to a modern (well, post-II WW anyway) world. Mythago… is a first part of the Ryhope Woods cycle, whereas The Fetch is a stand-alone novel, but we stay in the general area of myths, archetypes, and British countryside. But while the previous one was scary at times, Fetch could well be called a horror story. I could see it being adapted to the big screen (or Netlix 😉 ) as a classical horror with an Omen vibe (without Christian references).

Continue reading “Robert Holdstock, The Fetch (1991)”

Ilona Andrews, Magic Binds (2016)

Magic Binds

Magic Binds is the ninth installment in the highly acclaimed urban fantasy series by the writing duo, Ilona and Gordon Andrews. Having reached the status of bestsellers and the rare honor of hard cover over the span of an almost decade of writing, Kate Daniels series is widely recognized as one of the best urban fantasy series in the market. I have written about the series here. After several pretty decent novels there came a serious dip in the form of Magic Shifts, then a couple of novellas about side characters from Kate Daniels’ world, and an entirely new urban fantasy/romance series before finally the ninth book saw the light of day.

Magic Binds garners enthusiastic reviews from critics and fans alike, showcasing all the strengths of the previous novels. The end of the 10-book story arc is near, and so the ninth book cannot but head toward some kind of a grand conclusion, upping the ante and preparing ground for the big climax. All the smoldering conflicts burst up in flames, all the grudges and favors are coming to the fore once more, and the knowledge of previous events is a must. It follows logically that the readers in general – and the people writing reviews specifically – have invested so much into the series already that their reception might be more than just a bit skewed.

Continue reading “Ilona Andrews, Magic Binds (2016)”

Patricia Briggs, Silence Fallen (2017)

silence_fallen_layout.indd

It’s a yearly event now, the coming out of a new book in Briggs’ Mercy Thompson series. Each March a new installment hits the shelves, and I am fairly sure , after reading the tenth book, that it won’t end too soon. Assigning only the ulterior, financial motivation to the author would be unfair. I’m absolutely sure that it would be incredibly difficult to part with characters as likeable, vibrant and alive as hers. There’s always another story to be told, another angle to explore… And yet, and yet, maybe it’s time to say goodbye.

Ten books is no mean thing. These are not doorstops in style of Czajkowski or Erikson, or let alone Martin who publishes each new installment of Game of Thrones in two parts, because otherwise the binding wouldn’t hold… These are urban fantasy books, three hundred odd pages long and no more. Still, ten books about essentially one character is a lot. And if you don’t have an overarching plot, spanning more than a couple of books, unfolding slowly in the background of the main action – like in Dresden books, to keep the example from the UF field – pretty soon you may find yourself without anything important to say.

Continue reading “Patricia Briggs, Silence Fallen (2017)”