Author: Adrian Tchaikovsky
Title: Bear Head
Series: Dogs of War #2
Tchaikovsky became one of my favourite authors of fantasy after I read his amazing, and still not well-known enough (read it if you haven’t yet!) Shadows of the Apt. His Children of Time proved that he can easily deliver interesting, thought-provoking, emotional SF as well, and I’ve read enough of his short stories to know he can be a pro at writing these, too. In short, he’s a very well-rounded, very talented author, with unwavering focus on emotional development and a firm if understated ethical foundation. He has a knack for tackling difficult, often traumatic topics with tact and sensitivity, never going for cheap thrills or gratuitous exploitation. All in all, he’s one of the very few authors I keep constantly on my radar. Granted, there were a few a bit concerning reviews of his couple of books along the way that I haven’t gotten around to read, and I’m not certain I will – the sequel of Children of Time, Children of Ruin, springs to mind. But generally, with Tchaikovsky, I knew what to expect. Now, after reading Bear Head, I’m not so sure anymore. If anything, I’d venture an opinion that he had become the victim of his own success: writing too many books in too short a time, and none of the projects getting enough attention and polish and love to become a truly outstanding work, on par with Shadows of the Apt.
Because Bear Head is the worst of Tchaikovsky’s books I’ve read so far. It’s by no means bad; it’s still very engaging, well-written, fast-paced page-turner tackling ambitious problems in an interesting, thought-provoking way. Yet it also feels underdeveloped, rushed, and – surprisingly for Tchaikovsky – not entirely thought through. It has a more “paint-by-the-numbers” feel than the usual impression of a thoughtful creative work. It’s also, maybe most importantly, more of a political statement than a SF novel. Ah, all SF novels are political statements of one kind or another, I think we’d all agree on this. It’s just that in this case Bear Head veils itself in a very thin layer of science, indeed – and whatever there is, serves as a focus for the very concrete, very clearly defined “now,” in contrast to the previous concerns with more abstract ideas like “human nature” or “future,” which used to be the crux of his Children of Time, for example.
Lots of big words here, I know, and lots of harsh accusations. Let’s get down to the tangibles, then.Continue reading “Adrian Tchaikovsky, Bear Head (2021)”