The Worst of 2022

We’ve presented The Best of 2022 in our previous post; now, it’s PSA time 😉

Fortunately for you, it’s going to be a much shorter post. There’s no need to wallow in misery of the disappointments and unfortunate choices, or to taste the lingering, unpleasant rot of bad books, movies and TV series more than strictly necessary. And also, this past year was marked by careful deliberation and lucky strikes on our part, thus rendering the list of the bad and worse rather short.

Ola: Let’s start traditionally, with books. My biggest bookish disapointment of 2022 was, in a way, something to be expected: Joe Abercrombie’s The Wisdom of Crowds (2021) did not constitute a sudden dip in quality, a remarkable pivot in writing skill or storytelling panache; on the contrary, this was a culmination of a long and winding way to perdition through the sins of authorial hubris and sloth. This was the moment of parting ways between me and Abercrombie, and although I’m certain he and his fanbase won’t notice my absence, it does bear some significance for me – a confirmation of a long-held suspicion that grimdark is in its essence as juvenile and simplistic as whatever it rages against.

My next disappointing read came from Netgalley and could serve as the illustration of the adage “don’t judge a book by its cover.” Gideon Defoe’s An Atlas of Extinct Countries (2021) promised a fun romp through history and geography, but emphatically did not deliver. Avoid this like a plague. Ooops, these days this saying kind of acquired additional meanings ;).

The title I want to mention belongs to the manga category. One of them is Tite Kubo’s Bleach, a long-time fan-favourite which proved so traumatically bad that I renamed it to Bleh. If you want to see the worst in manga, you don’t need to look any further. Try Bleh, or One Punch Man, and you’ll realize manga also has its tropes, weaknesses, and shameful pandering to the lowest instincts of teenage boys. To be fair, there were also some pretty weak volumes of Naruto along the way, but I am willing to overlook their weaknesses because they are followed by some truly great ones. That’s the thing about manga – it lasts for hundreds of volumes, and inevitably some of these will be fillers, but for the titles I read and love the overall quality remains astonishingly high.

And lastly, one re-read. J. K. Rowling’s Harry Potter and the Order of the Phoenix. Even the wonderful narration of Stephen Fry couldn’t help this rotten egg of a book. Oh, the teenage angst! As I mentioned in my GR review,

“It’s way too long, boring and terribly angsty, and for me it’s simply the worst part of the whole series. I had a hard time going through the entire book, because Harry’s angry special snowflakiness just grated on my nerves so much. Also, the glaring logical holes that this time around I couldn’t overlook even when I tried.

It was a re-read, and sadly looks like none of HP books can entirely live up to the first encounter – the first time around this one got 6/10 stars ;)”

Piotrek: I had some strong candidates to my “Best of 2022” lists. “Worst of…” lists aren’t as full. I was cautious in my selection, and most of the things I did not particularly like where kind of good, just not my thing.

Continue reading “The Worst of 2022”

Boba Fett on Tatooine

The Book of Boba Fett is premiering in December, so I decided to celebrate the revival of Star Wars gritty un-realism with a themed watercolor :).

Boba Fett, the infamous bounty hunter in a Mandalorian armour, is one of the most iconic characters of the Star Wars universe, and I tried to convey his badass “knight-errant” or perhaps “conquering king” attitude here, in the Wild West setting of Tatooine.

Enjoy!

The Best Of 2020

Oh, 2020. It was the best of times, it was the worst of times

It’s becoming a tradition that we can’t fit all we want to write about in our end-year post, and again we had to divide it into two. Before Christmas we wrote about the blog and stats, now we want to share our favourite – and least favourite – books and shows, consumed in this fateful year.

Ola: Well, say what you want, but for me 2020 turned out to be a good time for reading ;). As last year, I decided to divide my best reads into three categories, Fiction, Non-fiction, and Comics. With so many books read, my The Best Of criteria had to be very harsh, so below are the best of the best of the best, which means a very impactful, thought-provoking and delightful read, as well as the even rarer 10/10 rating :).

Ola’s Best of 2020 in Fiction

Neal Stephenson, Anathem (2008)

This was truly one of the very best reads of 2020 and one of the very best SF reads ever. Stephenson’s love letter to Western philosophy and science is pure perfection, and his decision to wrap it into a hero’s journey through a world as like and as unlike our own was a masterstroke, allowing the readers an incredibly immersive experience. The prose is dense, ambitious, unforgiving, but given a chance it shines with amazing clarity and emotion. I owe big thanks to Bart, who recommended Anathem to me; Stepehenson’s Seveneves is good, especially the first part dealing with orbital mechanics, and would’ve been even better if the last part didn’t exist, but Anathem is a masterpiece, clear and simple. If you haven’t yet, read it!

Hilary Mantel, The Mirror & the Light (2020)

The grand finale of the critically acclaimed Cromwell trilogy doesn’t disappoint. It may be more meandering and more sentimental than the naked blade of Bring Up the Bodies, but that’s to be expected since it deals with the final years of Thomas Cromwell, whose tragic history is inextricably linked with that of Henry VIII. A historical novel with grand ambitions, a deep psychological portrayal of human vices and virtues, of naked ambition, egotism and the pitfalls of power, The Mirror & the Light is astonishingly modern, significant novel; a mark of true classic, its contents equally relevant in times of Henry VIII and our own.

Yoon Ha Lee, Ninefox Gambit (2016)

I’ve written all I could about this quirky, thought-provoking read. I loved Lee’s bold, utterly brilliant mashup of Korean mythology and political anti-utopia clad in military SF accoutrements and wrapped up in a stolen identity mystery happening in the middle of a galactic war. Ninefox Gambit is wonderfully ambitious, broad in scope, and lyrical. I’ve read the remaining two books in the trilogy, but sadly, their quality seemed to be deteriorating with each installment, and by the end turned into a political treatise focused on gender issues while what I was expecting was an all-out AI revolution ;).

Bernard Cornwell, The Pale Horseman (2005)

The second installment in the Saxon Stories series, popularized by the Netflix’s TV series Last Kingdom (very good, actually, though I haven’t seen it past season 1 as I want to read the books first ;)) is impeccably written, heart-rending, thoroughly researched, and simply riveting. The first book is good; but only in The Pale Horseman Cornwell achieves the psychological and societal depth to make his work outstanding. Many thanks to Sarah, who recommended this series to me. A review will come one day, I promise 😉

Daniel Polansky, The Seventh Perfection (2020)

I was really surprised by this little novella; its impact on me was far bigger than I’d expected judging by its length and the misleadingly obfuscating beginning. But this tiny bit of a book is simply amazing, turning midpoint from a slightly generic fantasy into a Kafkian treatise on the nature and limits of power. I absolutely adored every aspect of it, from the stunningly apt use of the second person perspective to the impeccably structured journey – inward and outward – of the protagonist.

Continue reading “The Best Of 2020”

Elizabeth Schaefer (ed.), From a Certain Point of View: The Empire Strikes Back (2020)

Author: Elizabeth Schaefer (ed.), multiple authors

Title: From a Certain Point of View: The Empire Strikes Back

Format: E-book

Pages: 544

Series: Star Wars: From A Certain Point of View #2

From a Certain Point of View: The Empire Strikes Back is a collection of 40 short stories commissioned for the 40th anniversary of The Empire Strikes Back memorable debut in an era long gone. It’s a second such venture, after a collection of stories centered around New Hope met with fans’ enthusiasm and quite solid approval – and we all know what a rowdy and unruly and spoiled bunch SW fans usually are 😉.

I haven’t read the first collection, but buoyed by the fond recollections of the Anderson’s anthology Tales from the Mos Eisley Cantina and seeing as The Empire Strikes Back remains my favorite SW movie of all times (not that it had any real competition recently), I decided to give this one a chance. There is a solid representation from well-known authors, such as Martha Wells and Django Wexler to Seth Dickinson, Catherynne M. Valente and S.A. Chakraborty, as well as a whole slew of authors completely new to me. This collection, apart from the strong nostalgia factor and a big dose of curiosity topped by healthy mistrust of anything SW-Disney 😉, represented a chance for me to check out some new names and their writing chops.

However, as simple listing of the authors and their stories’ titles has taken me nearly 300 words, I decided to review them in a slightly different than usual mode: as with short stories collections, I will give each story a rating – but this time, I will endeavor to describe every story in 5 words or more (well, usually more, as you’ll see). So, without further ado, here we go:

Continue reading “Elizabeth Schaefer (ed.), From a Certain Point of View: The Empire Strikes Back (2020)”

The Mandalorian (2019 – present)

Creator: Jon Favreau

Title: The Mandalorian

Franchise: Star Wars

Series: The Mandalorian #1

As we’re nearing the release date of the second season of The Mandalorian, the highly acclaimed space western series and the only thing that valiantly stands between Star Wars and the abyss of total, disgraceful annihilation, we’ve decided it was high time to review the first season 😊.

The Mandalorian came to the TV screens as a surprise pet project of Jon Favreau, for a long time associated mostly with Marvel and their cinematic universe. Favreau and Dave Filoni, known best for his long-time work with Star Wars franchise (particularly the animated series SW: Clone Wars and SW: Rebels), worked long and hard on a new live-action series that would explore the SW universe immediately after the events of The Return of the Jedi.

Ola: Hmm, I wonder why is that? Is it possible they weren’t fans of the new Star Wars movies Disney so horribly botched? 😀

When you watch The Mandalorian, the answer to this question quickly becomes obvious. The new series pays direct homage to the very beginnings of the Star Wars franchise, revisiting old places and old themes in a way that remains respectful, very self-aware, and wonderfully nostalgic while simultaneously offering new perspectives, immensely better CGI and slicker storytelling – not to mention the exploration of the more mysterious elements of the lore, such as the Mandalorians, the nature of the Force, or even the species of Yoda. It’s clear that the series is a creation of devoted fans, a heartfelt tribute to a phenomenon that had significantly influenced not only the imaginations of many generations of movie goers but also the Western popular culture in general.

Piotrek: Yes, definitely, I won’t argue with you on that. The Mandalorian is my favourite recent addition to the Star Wars universe and one of the best SF shows I’ve seen recently. We both hated the new trilogy, even if I enjoyed its first instalment. This show was great in itself, and also developed the lore in interesting ways. Now they just need to remove most of the new feature films from the canon 😉

Continue reading “The Mandalorian (2019 – present)”