I’m a fan of Max Gladstone’s Craft Sequence novels. They are not perfect, but they have incredible worldbuilding. He created an amazing system that connects religion, magic and economy that make his world go round in a way that is imaginative, entertaining, but also, I believe, tells us something interesting about our world. One of the definitions of great genre fiction…
So, when the time came to spend one of my Audible credits, and I learned that Gladstone’s new novel is available, I decided to go for it. It’s not part of the Craft Sequence, but it was long (I always try to get a long listen for my credit 😉 ) and I was in a mood for a nice space opera.
First of all, whoever came up with that snappy if misleading one-liner “Gender-swapped Alexander the Great in space,” was rather off the mark.
Yes, Unconquerable Sun does take place in a political environment reminiscent of the dynamic between ancient Macedonia, Greece and Persia. Yes, there are some details pointing to Elliot’s Alexandrian inspirations, such as snakes on Sun’s extravagant father’s clothing, a clear bow toward Alexander’s mother Olympias, or the explosive relationship between Sun and her mother Eirene, resembling that between Alexander and his father Phillip II. There are some hidden clues, such as a deficient sibling of the heir hidden away, or a host of concubines and wives, each with their own claim to the throne and a healthy dose of mistrust and rivalry toward each other. Will Elliott take the resemblances as far as the real story’s sad end? Considering the first installment, fizzling with YA vibes and a sense of youthful invincibility, I somehow rather doubt it. And anyway, Unconquerable Sun mostly tells the tale of Elliott’s fascination with Asian cultures: from very strong Chinese and Japanese influences to slightly more hidden Hinduist and even Mesopotamian elements.
Wow. I can’t believe I hadn’t written this review before. In fact, I was so certain that I had, that in the end I checked my blog and Goodreads… twice 😉. And indeed, I hadn’t. Well, better late than never, so here it is.
With book 4, Asher is faced with the ultimate threat to any self-respecting series – getting lost within the intricacies of his own plot and the ever-growing cast. And in Polity Agent he must indeed juggle many pieces and characters, all working independently or semi-independently from one another, all moving in separate directions, all motivated by different things. We have agent Cormac, undergoing changes he doesn’t understand and is not comfortable with; he is becoming (or fears becoming) more machine than a man, and while all the changes are apparently necessary as elements of the life-saving procedure in the aftermath of the Skellor’s attack that almost killed Cormac in Brass Man, he still resents being stripped of choice. We have our magnificent bastard, Mister Crane; what he’s up to is anyone’s guess, but it’s always a wonder to watch him reassemble himself through unending iterations. We have Mika, still deeply engaged in her Dragon research, but also increasingly engaged in a relationship with Cormac; and of course, we have the Dragon. As enigmatic as Mister Crane, the Dragon spheres and their aims remain a mystery.
We also have plenty of AIs, from the nearly omniscient Jerusalem to the rebellious King of Hearts to Jack Ketch who renamed himself to “Not Entirely Jack,” and to the bloodthirsty, adventurous war drone Arach; there’s more, and they all seem increasingly divided and not entirely benevolent. Just take a look at the Legate, an emissary of the Jain technology: imagine Lang’s Metropolis upgraded to Terminator 2 and hell-bent on the destruction of Polity.
We have also Orlandine, a haiman (a meld of human and AI) tempted by the poisoned fruit of Jain knowledge. And last but not least, there is Horace Blegg and his particularly dangerous secret; let’s not forget Sparkind Thorn and Scar, the dracoman. Shall I go on? I believe that by now you get the gist: Polity Agent boasts of a plethora of characters and places and motivations, and is definitely not a good place to start one’s adventure with Asher’s universe. Start with Gridlinked, and slowly make your way through Line of Polity and Brass Manbefore you attempt either Polity Agent or the fifth and final installment, The Line War.
AN EPIC SPACE OPERA ABOUT WARS, STARS, AND PARENTHOOD. LADIES AND GENTLEMEN, SAGA.
Piotrek: Brian K. Vaughan came to my attention years ago, with his Y: The Last Man series, an very original and altogether excellent comic book series from the early 2000s.
It tells a story of the last human male on an alternative Earth, where all the mammals with Y chromosome died suddenly in 2002. The mechanics of this event were, to me, a bit disappointing, but the series was exciting, full of action, romance, and politics. I’ve heard great thinks about Runaways, but haven’t read that. When I’ve read about his new series, Saga, I was pretty sure it’s going to be great. I’ve read the first volume, and it confirmed my suspicions. It was great! But, I didn’t want to wait anxiously for each volume. I bought the first deluxe hardcover, and the second, and the third, and never read beyond volume one.
I have to say the series shines not only in the script department, but is also beautifully illustrated. Fiona Staples definitely is a co-author of this experience, and I mention her after my paragraph about Vaughan mostly because it was my first encounter with her work. Exactly how splendid that work is, will tell you in the review itself.
Recently, I learned the series is on hiatus, and we will have to wait a good while to see its second half. Saga also popped up, now and then, on many of the blogs I follow. I decided to finally read it, and I wolfed down all three 500-hundred-page volumes within a week. It was so good!
Ola: And I read it all once Piotrek had his shiny hardcovers 😀 Oh, the joys of borrowing books ;). I’m not a big fan of Runaways, and Y somehow never got to the top of my TBR, but I can fully confirm Piotrek’s opinion on Saga – it really is a very good, stunningly illustrated story. Hats off to Fiona Staples, because without her art the story wouldn’t be half as good, or half as crazy. And while the main characters hold the majority of readers’ attention, it’s the side characters that add that elusive secret ingredient that makes Saga such a memorable read. By now The Lying Cat has probably more fans than Marko or Alana 😉
The Culture is a group-civilisation formed from seven or eight humanoid species, space-living elements of which established a loose federation approximately nine thousand years ago. The ships and habitats which formed the original alliance required each others’ support to pursue and maintain their independence from the political power structures – principally those of mature nation-states and autonomous commercial concerns – they had evolved from.
It is also a series of 9 novels (plus a short story collection) and the place I want to go to in the afterlife. I’ve heard about it, I’ve read about, in 2016 I bought the first three books, and now I’ve finally started to read.