Rick Perlstein, Nixonland: The Rise of a President and the Fracturing of America (2008)

Author: Rick Perlstein

Title: Nixonland:The Rise of a President and the Fracturing of America

Format: hardcover

Pages: 881

Series: –

Something a bit different today. I know, I know, except for Pokemon there hasn’t been much fantasy/SF on our blog lately 😉 I promise that’ll change… at some point, certainly. There will be new Marlon James book review coming soon, at least ;). But for now, a totally non-fiction, modern history book.

We live in interesting times, that’s for sure. Wars, pandemics, economic crises, global warming… The list goes on and on. But because we are so deeply enmeshed in our everyday life, we tend to forget that this uniqueness, this craziness, is in fact nothing new. That not long ago, the world was an even crazier place, at least in some localities ;). That, compared to those not so olden times, our present time is actually quite tame. If you thought Trump was something else, a new phenomenon, think again. Or even better, read Nixonland.

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R.J. Barker, The Bone Ship’s Wake (2021)

Author: R.J. Barker

Title: The Bone Ship’s Wake

Format: paperback

Pages: 493

Series: The Tide Child #3

First things first: I actually managed to finish a trilogy by R.J. Barker, so I feel very self-congratulatory. Yay me! Secondly, though, I only managed to finish it because, unlike The Wounded Kingdom trilogy, this one was interesting enough for me to follow it to the end ;). Although I might have made a strategic error in waiting with the review, as my initial enthusiasm waned somewhat. Still, it’s a pretty decent book, almost right to the end.

The two earlier installments, The Bone Ships and Call of the Bone Ships, were very enjoyable seafaring yarn: tall ships, pirates, remote islands, sea dragons, storms and adventure, and a dream of Libertalia thrown in the mix. The motif of changing the unfair status quo, of fighting for social justice for the outcasts and the unfit, of challenging the rule of the dominant caste – all this for me formed the backbone of the previous two books. While The Bone Ships focused mostly on character development, the broader intrigue and worldbuilding became more apparent in the Call of the Bone Ships. I expected The Bone Ship’s Wake to offer some resolution to the above quandary, to show us how the idealistic dream can be realized, at least in part, in the very strict, increasingly beleaguered societies of constant scarcity. Woe is me. I guess I expected too much.

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Marie Brennan, Driftwood (2020)

Driftwood

Author: Marie Brennan

Title: Driftwood

Format: E-book

Pages: 225

Series: –

Marie Brennan’s foray into a new fantastical world comes with a lot of promise, built upon her previous series, The Memoirs of Lady Trent. That series, of which the first installment, A Natural History of Dragons, was reviewed here, had been a huge success, thanks to a happy confluence of several factors: an audacious and likeable narrator/protagonist, Isabella Trent herself; the main topic of the narrative – dragons, for many the most beloved fantastical creatures of all; the alt-Victorian/Edwardian setting with all the requisite flowery embellishment of dialogue and narrative; and, last by not least, the wonderful illustrations by Todd Lockwood. So, if you’re reaching for Driftwood with expectations built upon your reading experiences with The Memoirs of Lady Trent, beware: Driftwood has nothing in common with Brennan’s earlier books.

Not to be splitting any literary hairs here, but Driftwood is not really a novel. It’s a series of short stories connected by the setting and the recurring character of Last. Some of the stories are in fact just vignettes, focused solely on worldbuilding and showcasing characters as specimens of a particular culture; some of the other are more robust, having a discernible plot and sometimes even clear evidence of character development within its bounds. There are big and little individual and social dramas, stories of sacrifice and discovery, various religions and all that’s in between. Scarcely any science at all, which is baffling only at the first sight. For as you enter deeper into Driftwood you start to realize that the whole concept is an elaborate impression of our world’s diminishing cultural diversity. That’s my take on it, at least. To my jaundiced eye, the book revolves predominantly around the highly abstract concept of Driftwood itself – a landfill of broken worlds, floating purposelessly and inevitably through mists toward their crushing demise. We get impressions of different cultures and beliefs, alive in one moment and dead in the next, as parts of their worlds are inexorably consumed by the ceaseless grind of entropy.

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Aleksandra Gruszczyk, The Punisher: A Cultural Image of the ‘Moral Wound’ (2020)

Most of you won’t remember, but way back in 2017 we did a post on Marvel’s The Punisher Netflix series. It was a cool, energetic discussion, limited out of necessity, and we hinted there at some other posts on the topic coming soon. While this didn’t happen, something even better did, and the initial idea of delving deeper into the eponymous vigilante’s character and motivations has been transformed into a much more ambitious endeavor ;).

The-Punisher-przyjaciele-i-wrogowie-Franka-Castle_article

Finally it is here: the highly academical (beware!) essay I wrote about the Punisher and his role and roots in American culture and identity has been published by Berkeley’s Cultural Analysis (with many thanks to my editor Robert Guyker!). You can read it here.