(for Part One, go here)
Piotrek: But before it gets so-so, it is great. I’d like to mention three areas where I believe Witcher shines.
First – elves. And dwarves, I guess. Also, gnomes and halflings, but in less detail. Some of the best versions of classic fantasy races. Not as otherworldly as various insect races of Czajkowski. Way more down to earth than Tolkien’s original versions. Grounded in deep history that we only glimpse at in the books. Very human, that’s true, in many ways, but distinct enough from their homo sapiens conquerors thanks to their old culture and longevity. Persecuted, diminished, morally as complex as everything in Sapkowski’s universe. Often cruel and vengeful, when given a chance. Psychologically much more realistic than elves of Middle-Earth (which does not make me feel less of Tolkien, of course, we are talking about books written in totally different cadence). Dwarves are shorter, even more cynical, expectedly coarse and just as complex.
Second – politics. Realpolitik, necessary sacrifices, ruthless negotiations, hard alliances, betrayals. With wizards. A world where everybody wants to be Machiavelli. And with mages and elves living for centuries, some of the schemes get really complicated. The decorations are deeply rooted in Europe of Middle Ages, with strong – and quite realistic – addition of magic, but the truths about politics are timeless. Everybody can be outplayed, few loyalties last, the most benevolent (if paternalistic) plans lead to disastrous consequences.
Piotrek: Wiedźmin. THE Polish fantasy series, the only one famous enough to break from the genre ghetto and into genuine literature. Well, for the most part, hardcore old-timers refused to acknowledge that anything genre can be worth their attention… losers. Anyway, wiedźmin (“Witcher” in Polish) Geralt of Rivia became famous soon after the first short story was published, and kept the attention of domestic fantasy enthusiast until the final instalment of the saga arrived in Polish bookshops in 1999. It was translated into several, mostly central-European, languages and became quite popular throughout the region. Wiedźmin inspired a disastrous cinematic adaptation, a slightly better (as some people claim, myself I don’t like it at all) comic and, finally, a video game. One of the best video games ever, but let’s concentrate on the books for now.
Ola: Yeah, let’s ;). I haven’t played a single minute in any of them, and though all I hear around is praise, I’m just… not into computer games, I guess. That’s probably a serious blow to my nerdy cred, but heck. The only computer game I ever enjoyed was Worms… Oh, and that one where with the use of a mouse, a piece of line, a bottle and a plank you had to build a working machine ;).
So it’s ended. The great Witcher re-read and 200+ hours gameplay of Witcher: The Wild Hunt and both major DLCs. And now – what to do? I got my life back and it’s just not as fascinating as the game. Even the trees outside, they’re not as bright and beautiful as in-game ones. Huh.
Now I guess I have to start playing Dragon Age: Inquisition 😀
And read books I could review.
Also, Dr Strange hit cinemas, Luke Cage is on Netflix, and yearly Book Fair opens in Krakow tomorrow. So, not all is bad. And all these are topics for blog posts.
I’ve been playing Witcher 3 for a month now, with a hundred hours or so clocked in, and simultaneously I started reading the saga again. Two volumes of short stories, arguably the best part, and now I’m in a forth novel, with one more to go. Than another short story volume published recently, and a couple stories from Maladie collection (now wholly about Geralt and his world).
The whole series, probably in its finite form by now, goes as follows:
- Sword of Destiny
- The Last Wish
- Blood of Elves
- Time of Contempt
- Baptism of Fire
- The Swallow’s Tower
- Lady of the Lake
- Season of Storms
and Something Ends, Something Begins/Maladie anthology that includes some Witcher stories.
1-6 are published in English by now, with 7 to follow in 2017, and I can only assume the rest later on, it seems to have some popularity, at least among numerous fans of the game. Knowing the books changes one’s perspective on certain game events, I can tell you that. Forums are full of people changing their loyalties and swearing to re-play to aim for different outcome.
The game is great, books – also, I believe so, though the world is not unanimous on that, maybe my perspective is distorted by the fact it’s the first significant Polish fantasy series, and still one of the best, with uniquely Polish humour and perspective on things. Not wholly translatable into English, I’m afraid.
Maybe one day I’ll read the translation, I’m a bit curious. But it’s the only major franchise I’m experiencing in my mother tongue, it’s just so very Polish in every way. A hobbit I’ve met near Novigrad yesterday was a joke at a terrible LotR translation from the deep 90-ties (how I hated it, but for a moment it was the only one available in bookshops…), even the curse words are so cool…
Anyway, the author of Wiedźmin/Witcher books is, of course, Andrzej Sapkowski. Paul Tobin wrote, Joe Querio drew, Carlos Badilla colored and Nate Piekos lettered a few comic books taking place in The Witcher© universe.
Two volumes I’ve read so far, House of Glass and Fox Children, were clearly spiritual children of the games, not books, but since we’re talking about the greatest cRPG series ever, it’s not exactly an accusation. Something I’ll probably repeat many times in the ever coming Wiedźmin book review – Sapkowski is a very interesting writer, but ultimately, whatever his Polish fans might think, one of many. The Witcher’s creators are geniuses of their trade.
Or will get one, in October, but it’s already decided.
Not a very important one, a Lifetime Achievement award, a bit like similar Oscar – a way to appreciate someone accomplished, who never got one, and is old enough he might never get a chance for regular one. Still.