Tim Powers, The Anubis Gates (1983)

Anubis-GatesA novel about time-travel set in Regency London, with mad Egyptian sorcerers, hordes of murderous beggars, an evil clown, a dwarf, clones, the Mameluke, fiery ifrits, body-changing werewolf, a young woman posing as a man, Romantic poets and a band of Gypsies. Sounds good? It definitely should :).

The Anubis Gates has plots within plots within plots. It starts innocuously enough, in contemporary England, with a discovery made by an extremely reach eccentric J. Cochran Darrow. Darrow, terminally ill, desperately looks for a way to cure himself. Instead, he (or rather a team of scientists employed by him) discovers gates in time. There is a finite number of them, leading to a finite number of points in the past and future, and they are ruled by a set of immutable, physical rules. Nonetheless, they make time-travel possible. What the famous tycoon does with this breathtaking discovery?

He invites rich people for a trip to a live Coleridge lecture, which the poet delivered in 1810.

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Tim Powers, The Stress of Her Regard (1989)

Yes, it’s Wednesday and I’m back from vacation 🙂 Time for a review!

The-Stress-of-Her-Regard1Tim Powers doesn’t write much, and even though he started writing a long time ago, back in seventies, the list of his novels is rather short. His most known novel is Anubis Gates. Have you heard of it? I haven’t, till a few months back ;). Powers is not a very well known writer, but after reading The Stress of Her Regard I believe that this is a problem that should be remedied as soon as possible.

Why? Because The Stress of Her Regard is an exceptional book. Intriguing, fascinating, visceral (literally!), terrible and amazing, and written with remarkable precision. The real and the fantastic are joined together seamlessly, which is all the more astonishing because Powers bases his books on real past events. He focuses on a certain point in time, on certain real, famous characters and the real events that they have taken part in, and around those historical facts he builds a fantastical story. In short, he artfully supplies us with a supernatural cause of historical processes and occurrences. In The Stress of Her Regard the real background are political events in Europe in the early XIX century – and in that setting we become witnesses to the lives of English romantic poets: Shelley, Byron and Keats. According to Powers, all their obnoxiousness, weirdness and irrationality should be ascribed to the fact that all of them were victims of another sentient race on Earth – the nephilim, a vampiric form of life based on silicon instead of carbon. Our guide in this subtly altered, subverted world is Michel Crawford – a Navy doctor, obstetrician and a fellow nephilim victim. We see the world through his eyes, and we witness up close all the temptations, rewards and costs of vampiric addiction.

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A few thoughts on poetry in fantasy.

It’s mu turn and I really wanted it to be a review. But I couldn’t, yet again, finish my review of “Fatale” graphic novel series, and I’ve found something I want to share. So today’s post goes into the “wyszperane” (“found in the net”) category. My source is, as usuall, /r/Fantasy, where Mark Lawrence’s “When the language flexes its muscles” was recommended (with entry entitled “Get your stinkin’ poetry out of my fantasy book!” 😉 ). The initial purpose of this category of posts was not to write big texts, but rather link interesting and thought-provoking essays, add a short commentary and maybe initiate discussion in the „comment” section.

First – I generally agree with the author. Two important quotes:

„A lot of people say they hate poetry. That’s fair enough – the school system bears a considerable responsibility for that.” – amen to that, it almost killed my interest in poetry.

And:

„Poetry is a distillation, the highest concentration of linguistic content, and like all strong flavours it won’t be for everyone at every stage in their life.”

I’ve read and enjoyed my share of simple, action-oriented novels, where language was almost reduced to its utilitarian function. But literature is more than a description of a sequence of events and the beauty of a fantasy/sf masterwork is in its language as well as its plot or characters.

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