Adrian Czajkowski, The Tiger and the Wolf (2016)

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Shadows of the Apt, the acclaimed ten book series about the world of the Insect-kinden, took place in an alternate Europe, during alternate World Wars – mostly the second one, to be precise. Shadows of the Apt is an epic tale of the struggle of different kinden, i.e. humans in kin with different types of animals which serve as their metaphysical and physical totems. Those totems can be perceived as ideals holding certain spiritual power, but also as matrices for particular species, influencing genotypes and phenotypes of individuals belonging to different kinden. But Shadows of the Apt is also a gripping tale of deadly rivalry between technical aptitude and ingenuity – and old wisdom and magic. The world of the Apt and Inapt is fully developed and based on an intriguing premise: it is a realm bereft of vertebrate. Their place has been fully taken by invertebrate of every kind and size, from insects through mollusks and crustaceans, to snails, jellyfish and arachnids. And although the reviews of the series are many – and varied – on this blog, there is a reason I make this short summary at the beginning of the review of Czajkowski’s new series, Echoes of the Fall.

With his new post-apocalyptic trilogy, Echoes of the Fall, Czajkowski takes the readers on a seemingly entirely different ride. Tribes from the time of early Iron Age, brought about as a result of an earlier, terrible shattering of their world, vie for domination in an unforgiving part of the world. They too are linked to their animal counterparts – but this time around, vertebrate are the only types of animals that count. Wolves and tigers, hawks and seals, bears and serpents, owls and bats, hyenas and lions, even toads, crocodiles and Comodo dragons (and wolverines! ;)), all of them act as true totems in the sense that they are the emblems of tribes, but they are also spiritual entities, powerful in their own way as non-omniscient, limited god-like beings watching over their chosen peoples.

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Justin Cronin, The Twelve (2012)

The Twelve

I haven’t written in a long time – lots and lots of work. Still, I do read, even if swamped with work, so my list of books to be reviewed slowly grows. I completed my read of The Twelve when I was still commuting weekly to Warsaw and had a lot of time to read, and it was a good thing, because otherwise I wouldn’t have finished this book.

But let’s start from the beginning. The Twelve is the second installment in an already finished post-apocalyptic trilogy by Justin Cronin. The review for the first installment, The Passage, can be found here. I enjoyed The Passage quite a bit, enough to jump to the second book as soon as I finished the first. I liked the protagonists of the first novel: mostly Amy and Wolgast, but I was ok also with the latecomers – Peter and Alice, Sarah and Mike, and the rest of the supporting crew.

The second installment shows us a world in a momentary stasis – the first of the Twelve, Babcock, is dead, but the rest of the monstrous serial killer death row inmates is still free to roam the realm of the erstwhile U.S. Worse, the human survivors are not enticed to believe Peter and the rest of his crew that there are other “nodes”, the remaining zero-patients, who are able to control to bloodsucking monstrosities called virals. From the humanity’s point of view getting rid of them would mean much better chance of survival – but humanity has a tendency to look rather to the next day than to the next year, and so the problems of plumbing, food and electricity shortages, and fuel transportation will always be pushed to the fore.

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Justin Cronin, The Passage (2010)

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It seems that I have a weakness for post-apocalyptic, anti-utopian stuff with young female leads ;). The Passage reminds me in many ways of The Girl With All The Gifts or McCarthy’s The Road, although the popular comparisons to The Stand are also pretty well-founded.

The Passage received a lot of buzz back in 2010 – compared to work of Michael Crichton and praised by King himself, Cronin’s book quickly wound up on bestsellers’ lists. The filming rights to this book – and two next as well, as The Passage is the first installment in a trilogy – were apparently secured by Scott Free Productions even before the book was finished.

Is the book worth the praise? The answer to this, as usual, is complicated ;). I must confess, my initial enthusiasm was somewhat dampened by the fact that I have already read the second installment. Oh boy, that’s something I will fully review in my next entry, but for now let’s concentrate on the first book, as if it were still the only one, fresh and full of promises.

Because The Passage in itself is actually a good book. It’s a mash-up of genres, a post-apocalyptic horror/sf road novel with vampires, elements of anti-utopia and chunks of a military thriller, and it all works surprisingly well, even dunked in the heavy philosophical/theological sauce Cronin is so fond of.

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