Aleksandra Gruszczyk, The Punisher: A Cultural Image of the ‘Moral Wound’ (2020)

Most of you won’t remember, but way back in 2017 we did a post on Marvel’s The Punisher Netflix series. It was a cool, energetic discussion, limited out of necessity, and we hinted there at some other posts on the topic coming soon. While this didn’t happen, something even better did, and the initial idea of delving deeper into the eponymous vigilante’s character and motivations has been transformed into a much more ambitious endeavor ;).

The-Punisher-przyjaciele-i-wrogowie-Franka-Castle_article

Finally it is here: the highly academical (beware!) essay I wrote about the Punisher and his role and roots in American culture and identity has been published by Berkeley’s Cultural Analysis (with many thanks to my editor Robert Guyker!). You can read it here.

Marlon James, Black Leopard, Red Wolf (2019)

black leopard red wolf

Author: Marlon James

Title: Black Leopard, Red Wolf

Format: Paperback

Pages: 620

Series: The Dark Star Trilogy #1

“The child is dead. There is nothing left to know.” p. 3

If Quentin Tarantino and Guillermo del Toro ever had a child who was an empath with deep, abiding love for Africa and penchant for intimate, graphic violence, his name might have been Marlon James. Black Leopard, Red Wolf elicits quite extreme reactions from readers – from hate to confusion to appreciation to love – and after reading it I no longer find this surprising. It is indeed a visceral, shockingly brutal and sometimes outright nightmarish journey through atrocities and evils, real and imagined. When James writes that there are two pages in this book that his mother is not allowed to read, I feel I know exactly which two pages he talks about; and they are horrifying in the portrayal of the most intimate, vengeful violence. And yet Black Leopard, Red Wolf is also a book describing with heartbreaking detail the fleeting, protean essence of happiness; the capriciousness of fate and coincidence; the twisted, uncanny ways of human heart. At 620 pages of dense, challenging prose Black Leopard, Red Wolf is James’s absolutely stunning tour de force; a classic Bildungsroman set in the mythical neverwhen of pre-colonial Africa, where monsters prowl the land and sometimes hide behind human eyes, where humans take on animal forms, where magic is ordinary, and miracles are everyday occurrences, but where human kindness is rarer than gold.

Continue reading “Marlon James, Black Leopard, Red Wolf (2019)”

The Wanderlust Book Tag

It’s been some time, actually, since we did a book tag. As we were recently tagged by the wonderful Orangutan Librarian with The Wanderlust Book Tag we decided to do one now 🙂 It looks very interesting, especially as one of us starts thinking about this year’s travelling plans, and the other is just finishing their holidays… 😀

First, Rules of Engagement:

  • Mention the creator of the tag and link back to original post [Alexandra @ Reading by Starlight]
  • Thank the blogger who tagged you – thanks, Orangutan Librarian! This one’s fun!
  • Answer the 10 questions below using any genre
  • Tag 5+ friends

and now,

the questions:

1. Secrets and lies: a book set in a sleepy small town

Ola: James Lovegrove’s Sherlock Holmes and the Christmas Demon is a really nice example of the “cozy mystery” genre, full of nods in all the important directions, and yet still holding up commendably on its own.

Piotrek: Winter Rose by Patricia McKillip takes place in a sleepy village, but there are secrets and lies in a small community, and getting to the hard truth is the key to success of our protagonist.

2. Salt and sand: a book with a beach-side community

Piotrek: H.P. Lovecraft, The Shadow Over Innsmouth. I don’t remember if there was an actual beach, but definitely a sea-side community of sorts is the central part of the story 🙂 No the perfect seaside for you summer vacation, mind you. Re-reading Lovecraft is one of the great many things I need to do!

Ola: Zoe Gilbert’s Folk is definitely a book that stays with the reader long after the covers are shut. I was deeply impressed by the maturity and melody of her writing voice, and more than a bit appalled by the ferocious abuse visited by her on Folk’s protagonists – the violent fantasy clad in the everyday reality of a small beach-side community, hidden in gorse bushes and suspended indefinitely somewhere between the eighteenth and early twentieth century. Thanks to Bookforager for putting this one on my radar!

Continue reading “The Wanderlust Book Tag”

James Lovegrove, Sherlock Holmes and the Christmas Demon (2019)

Sherlock Holmes and the Christmas Demon

Author: James Lovegrove

Title: Sherlock Holmes and the Christmas Demon

Format: Hardcover

Pages: 384

Series: Sherlock Holmes (Titan Books)

Right on time for the fast-approaching Christmas season, a new Sherlock Holmes novel hit the shelves this October. It is quite an eye-candy: a wonderfully bright and festive cover draws the eye and at the first glance invokes the spirit of Yuletide, and the interior is equally lovingly arranged. A nice gift for any bookworm, and especially for all those Sherlock Holmes fans out there 🙂

As for the content, well… 🙂 I must admit, I am always a bit wary of books utilizing characters created by someone else – especially characters like Sherlock Holmes, arguably the world’s most famous detective, whose existence is irrevocably and undeniably bound with that of his creator, sir Arthur Conan Doyle. Books about such renowned characters, written by other authors, always seem to me slightly too close to fan fiction for my liking. In that context, Gaiman’s and Albuquerque’s A Study in Emerald is a notable exception here, offering a very welcome and impeccably executed twist on the Holmesian (or should it rather be Sherlockian?) lore, masterfully intertwined with Lovecraftian Cthulhu mythos. But in case of Sherlock Holmes and the Christmas Demon, I didn’t mind the fanfic associations in the slightest: the author was respectful but not overly fawning over its source material, managing to strike a nice balance between the spirit of original Sherlock Holmes novels and his own voice and delivering a pleasant new storyline to the ever-growing Holmesian. Plus, the book came with recommendation from Aaron at Swords and Spectres, and I learned to trust his tastes (…well, in most cases! :D).

Continue reading “James Lovegrove, Sherlock Holmes and the Christmas Demon (2019)”

Giles Kristian, Lancelot (2018)

Lancelot

Author: Giles Kristian

Title: Lancelot

Format: Hardcover

Pages: 500

I will start with an honest admission, as befits a review of the retelling of Arthurian mythos. Arthurian myths are very important to me – as are Greek and Norse, Slavic and Celtic, Sumerian and Egyptian myths, which all together form a still incredibly significant foundation of European culture. And within the wide realm of Arthurian myths, rooted in Mallory’s Le Morte d’Arthur, which in itself was a reworking of earlier tales, I have pledged my allegiance to T.H. White’s The Once and Future King. I don’t care it’s misogynist. I don’t mind that parts of it are not on par with the rest (I’m looking at you, The Book of Merlyn!). I fully believe it’s the most beautiful and heartfelt retelling of the Arthurian mythos, full of passion – and compassion – and understanding of human nature.

And so I approached Kristian’s recent retelling, Lancelot, with no small amount of trepidation. Armed with a glowing recommendation from Aaron at the Swords and Spectres I hastened to read it, but remembering our previous differences of opinion, O gentle friend, I remained wary. And indeed, it took me some time to warm up to this reimagined Lancelot, from his difficult, heart-breaking childhood to his equally troubled adolescent years on Karrek Loos yn Koos, the island of Lady Nimue. For Kristian spins the story in the one direction that had been relatively less explored before – Lancelot’s past. We see him as a child cruelly and early bereft of childhood, only barely escaping the fate of his family – with an angry hunting bird and a promise of revenge as his sole possessions. We see him as a wild teenager, stubborn and prideful, separate from others and self-unaware to the point of naivety. We see him grow, and learn, and as we do, we begin to see the promise in him, the seed of the future first knight of Britain and the leader of men. We see him triumphant, we see him defeated, but to the end unbroken. What we see most clearly, however, is the unwavering love and loyalty that had become a staple of this paradoxical knight – and in this, Kristian’s retelling is as faithful to the spirit of Arthurian myths as it only could be.

Continue reading “Giles Kristian, Lancelot (2018)”