Marlon James, Black Leopard, Red Wolf (2019)

black leopard red wolf

Author: Marlon James

Title: Black Leopard, Red Wolf

Format: Paperback

Pages: 620

Series: The Dark Star Trilogy #1

“The child is dead. There is nothing left to know.” p. 3

If Quentin Tarantino and Guillermo del Toro ever had a child who was an empath with deep, abiding love for Africa and penchant for intimate, graphic violence, his name might have been Marlon James. Black Leopard, Red Wolf elicits quite extreme reactions from readers – from hate to confusion to appreciation to love – and after reading it I no longer find this surprising. It is indeed a visceral, shockingly brutal and sometimes outright nightmarish journey through atrocities and evils, real and imagined. When James writes that there are two pages in this book that his mother is not allowed to read, I feel I know exactly which two pages he talks about; and they are horrifying in the portrayal of the most intimate, vengeful violence. And yet Black Leopard, Red Wolf is also a book describing with heartbreaking detail the fleeting, protean essence of happiness; the capriciousness of fate and coincidence; the twisted, uncanny ways of human heart. At 620 pages of dense, challenging prose Black Leopard, Red Wolf is James’s absolutely stunning tour de force; a classic Bildungsroman set in the mythical neverwhen of pre-colonial Africa, where monsters prowl the land and sometimes hide behind human eyes, where humans take on animal forms, where magic is ordinary, and miracles are everyday occurrences, but where human kindness is rarer than gold.

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The Wanderlust Book Tag

It’s been some time, actually, since we did a book tag. As we were recently tagged by the wonderful Orangutan Librarian with The Wanderlust Book Tag we decided to do one now 🙂 It looks very interesting, especially as one of us starts thinking about this year’s travelling plans, and the other is just finishing their holidays… 😀

First, Rules of Engagement:

  • Mention the creator of the tag and link back to original post [Alexandra @ Reading by Starlight]
  • Thank the blogger who tagged you – thanks, Orangutan Librarian! This one’s fun!
  • Answer the 10 questions below using any genre
  • Tag 5+ friends

and now,

the questions:

1. Secrets and lies: a book set in a sleepy small town

Ola: James Lovegrove’s Sherlock Holmes and the Christmas Demon is a really nice example of the “cozy mystery” genre, full of nods in all the important directions, and yet still holding up commendably on its own.

Piotrek: Winter Rose by Patricia McKillip takes place in a sleepy village, but there are secrets and lies in a small community, and getting to the hard truth is the key to success of our protagonist.

2. Salt and sand: a book with a beach-side community

Piotrek: H.P. Lovecraft, The Shadow Over Innsmouth. I don’t remember if there was an actual beach, but definitely a sea-side community of sorts is the central part of the story 🙂 No the perfect seaside for you summer vacation, mind you. Re-reading Lovecraft is one of the great many things I need to do!

Ola: Zoe Gilbert’s Folk is definitely a book that stays with the reader long after the covers are shut. I was deeply impressed by the maturity and melody of her writing voice, and more than a bit appalled by the ferocious abuse visited by her on Folk’s protagonists – the violent fantasy clad in the everyday reality of a small beach-side community, hidden in gorse bushes and suspended indefinitely somewhere between the eighteenth and early twentieth century. Thanks to Bookforager for putting this one on my radar!

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James Lovegrove, Sherlock Holmes and the Christmas Demon (2019)

Sherlock Holmes and the Christmas Demon

Author: James Lovegrove

Title: Sherlock Holmes and the Christmas Demon

Format: Hardcover

Pages: 384

Series: Sherlock Holmes (Titan Books)

Right on time for the fast-approaching Christmas season, a new Sherlock Holmes novel hit the shelves this October. It is quite an eye-candy: a wonderfully bright and festive cover draws the eye and at the first glance invokes the spirit of Yuletide, and the interior is equally lovingly arranged. A nice gift for any bookworm, and especially for all those Sherlock Holmes fans out there 🙂

As for the content, well… 🙂 I must admit, I am always a bit wary of books utilizing characters created by someone else – especially characters like Sherlock Holmes, arguably the world’s most famous detective, whose existence is irrevocably and undeniably bound with that of his creator, sir Arthur Conan Doyle. Books about such renowned characters, written by other authors, always seem to me slightly too close to fan fiction for my liking. In that context, Gaiman’s and Albuquerque’s A Study in Emerald is a notable exception here, offering a very welcome and impeccably executed twist on the Holmesian (or should it rather be Sherlockian?) lore, masterfully intertwined with Lovecraftian Cthulhu mythos. But in case of Sherlock Holmes and the Christmas Demon, I didn’t mind the fanfic associations in the slightest: the author was respectful but not overly fawning over its source material, managing to strike a nice balance between the spirit of original Sherlock Holmes novels and his own voice and delivering a pleasant new storyline to the ever-growing Holmesian. Plus, the book came with recommendation from Aaron at Swords and Spectres, and I learned to trust his tastes (…well, in most cases! :D).

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Giles Kristian, Lancelot (2018)

Lancelot

Author: Giles Kristian

Title: Lancelot

Format: Hardcover

Pages: 500

I will start with an honest admission, as befits a review of the retelling of Arthurian mythos. Arthurian myths are very important to me – as are Greek and Norse, Slavic and Celtic, Sumerian and Egyptian myths, which all together form a still incredibly significant foundation of European culture. And within the wide realm of Arthurian myths, rooted in Mallory’s Le Morte d’Arthur, which in itself was a reworking of earlier tales, I have pledged my allegiance to T.H. White’s The Once and Future King. I don’t care it’s misogynist. I don’t mind that parts of it are not on par with the rest (I’m looking at you, The Book of Merlyn!). I fully believe it’s the most beautiful and heartfelt retelling of the Arthurian mythos, full of passion – and compassion – and understanding of human nature.

And so I approached Kristian’s recent retelling, Lancelot, with no small amount of trepidation. Armed with a glowing recommendation from Aaron at the Swords and Spectres I hastened to read it, but remembering our previous differences of opinion, O gentle friend, I remained wary. And indeed, it took me some time to warm up to this reimagined Lancelot, from his difficult, heart-breaking childhood to his equally troubled adolescent years on Karrek Loos yn Koos, the island of Lady Nimue. For Kristian spins the story in the one direction that had been relatively less explored before – Lancelot’s past. We see him as a child cruelly and early bereft of childhood, only barely escaping the fate of his family – with an angry hunting bird and a promise of revenge as his sole possessions. We see him as a wild teenager, stubborn and prideful, separate from others and self-unaware to the point of naivety. We see him grow, and learn, and as we do, we begin to see the promise in him, the seed of the future first knight of Britain and the leader of men. We see him triumphant, we see him defeated, but to the end unbroken. What we see most clearly, however, is the unwavering love and loyalty that had become a staple of this paradoxical knight – and in this, Kristian’s retelling is as faithful to the spirit of Arthurian myths as it only could be.

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Glen Cook, Soldiers Live (2000)

manydeaths

Author: Glen Cook

Title: Soldiers Live

Series: The Chronicles of the Black Company

Pages: 566

Format: Paperback Omnibus Edition

 Soldiers live, and wonder why.

Soldiers Live is the final installment in Glen Cook’s Black Company series. I’ve read it over a year ago, but somehow couldn’t force myself to write down a review. Mostly, I think, because Soldiers Live is an elegy to Black Company so heartfelt and bittersweet and true – to its own history, sentiments, internal logic and the author’s worldview – that I found the necessary return to it surprisingly tasking. Over time this book came to resemble a tender spot one only gingerly agrees to touch, for it is a reminder of a past encounter with unyielding reality. What remains – a wound, a bruise, a slowly healing scratch – whatever the case, it’s a sign that reality won despite our best efforts of will 😉

And so it is for the Black Company. It still goes on, united by a common dream, but in nearly forty years of its history told by Cook over the course of nine books it has changed so profoundly it’s hardly recognizable for what it once was. And the crucial change is, obviously, its people. There are almost none of the old guard left, and whoever lives still, bruised and battered and exhausted by the constant struggle, has not much time left.

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Robertson Davies, Fifth Business (1970)

Fifth Business

Author: Robertson Davies

Title: Fifth Business

Format: Paperback

Pages: 257

I have become aware of the existence of Robertson Davies and his books solely through the glowing review by Chris from Calmgrove – and I’d like to thank him, because reading Fifth Business was an experience I absolutely wouldn’t want to have missed. As we’re in the middle of Robertson Davies Reading Week organized by Lory over at Emerald City Book Review to commemorate the author’s 106th birthday on 28th August, I thought I’d join the effort and put out there my review as well – for the work of Robertson Davies indeed deserves wide appreciation. And while I endeavor to write a proper review of the novel, be prepared: it will be pervadingly whimsical, tangential and digressive, thus reflecting the very nature of Fifth Business.

First, however, the title. Fifth Business, in the words of the author, refers to

“Those roles which, being neither those of Hero nor Heroine, Confidante nor Villain, but which were nonetheless essential to bring about the Recognition or the dénouement” Hence, “the player who acted these parts was often referred to as Fifth Business”.

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Robert Holdstock, The Fetch (1991)

Author: Robert Holdstock

Title: The Fetch

Edition: Warner Books, Paperback

IMG_20190609_184200

Pages: 376

Robert Holdstock was a distinguished British writer whom I already reviewed once. His Mythago Woods is a great, if a bit rough, journey through the world of Celtic – and earlier – myths connected in a very real way to a modern (well, post-II WW anyway) world. Mythago… is a first part of the Ryhope Woods cycle, whereas The Fetch is a stand-alone novel, but we stay in the general area of myths, archetypes, and British countryside. But while the previous one was scary at times, Fetch could well be called a horror story. I could see it being adapted to the big screen (or Netlix 😉 ) as a classical horror with an Omen vibe (without Christian references).

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