Silvia Moreno-Garcia, The Daughter of Doctor Moreau (2022)

Author: Silvia Moreno-Garcia

Title: The Daughter of Doctor Moreau

Format: e-book

Pages: 306

Series: –

I’ll be brief, and frank. Yes, ouch.

The Daughter of Doctor Moreau is not a long book, and yet reading through it felt like eternity. I have been reading the first half of the book for over a week; every time I picked it up I felt that I was forcing myself to do it. Nothing was happening, and the reveals were totally unsurprising for a book that is to a large extent a retelling of The Island of Doctor Moreau. The second half picked up the pace, and offered some entertainment, but never on par with my previous encounters with Moreno-Garcia’s books. In short, this is not a bad book, and yet it’s far from good, too. It’s mediocre, and I’m actually sad to say it, because all Moreno-Garcia’s novels that I have read before were pretty enjoyable – and quite remarkable, too. I had so much fun with the fungal creepiness of Mexican Gothic, and with the darker realistic vibes of Velvet Was the Night, and even the early fantastic unevenness of Certain Dark Things was entertaining. 

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Re-Enchanted 2021

Last year around this time we’ve been hoping for a better next year – well, with this crazy year almost at its end it’s kind of nice that at least this one thing hasn’t changed, and once again we are hopeful that 2022 will be better than 2021… 😉 With pandemic getting its second, third and fourth breath, four-month-long lockdown in Auckland and various restrictions in different places around the world, and large swathes of live inevitably altered, 2021 had certainly been an interesting year.

But at least in terms of blogging and reading, 2021 had turned out to be quite all right. While we haven’t experienced another huge jump in terms of visits, we also haven’t experienced a slump – in short, 2021 was more or less equal to 2021 in the number of views (roughly 15k) and surpassed last year in the number of visits (nearly 8k vs 7k last year). We’ve had similar number of comments, 2,5k, while the number of likes grew to over 3k – yay! There was a noticeable downward trend for things other than reviews on the blog, alas, as with Piotrek making some momentous life decisions and Ola branching out to painting and Youtube, tags and some such became a luxury ;). And yet, we still managed to churn out a few more posts than last year – we are very proud of ourselves 🙂

We are incredibly grateful for our lasting blogging friendships around the world and for finding new friends in all the corners of Earth. In those times of growing divisions, anxiety and anger it’s wonderful to find like-minded people. So big thank you to all of you!!!

Our most popular post in terms of views was Ola’s review of Mexican Gothic (on the podium for the second year in a row, with over 270 views), followed closely by a very civil yet still rather scathing review of E.J. Beaton’s The Councillor, and glowing reviews of two Neal Asher’s books: The Technician, with over 215 views, and The Line of Polity (knocked down from the first place to the fourth) with nearly 200 views. Piotrek’s love letter to Honor Harrington is still going strong, fifth this year, and a surprising sixth place with 175 views went to our The Worst of 2020 😉

Our most liked post this year was Ola’s post about her Etsy shop, nearing 70 likes, and two reviews with 60 likes each: a critical take on Alix E. Harrow’s popular The Ten Thousand Doors of January and, again, E.J. Beaton’s The Councillor. Among the most popular posts was also, unsurprisingly this year, a review of Dune. The most commented post, which broke the 100 comments barrier, was our birthday reveal: Birthdays, spicy reveals and even a tag, oh my! – again, thanks to all of you who visited and commented!

While we abstained from the majority of the big bloggish events this year, we did take part in Witch Week organized by Chris and Lizzie. This year’s theme was Treason and Plot, and we were very happy to be able to contribute with a post about one of our favourite authors, Roger Zelazny.

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Silvia Moreno-Garcia, Certain Dark Things (2016/2021)

Author: Silvia Moreno-Garcia

Title: Certain Dark Things

Format: E-book

Pages: 272

Series: –

I’m recently jumping through Moreno-Garcia’s books: one new, one old – and let me tell you: there is a difference. Certain Dark Things is Moreno-Garcia’s second book, and it shows. It boasts of lots of great ideas, a skillfully created, moody and thick atmosphere, and an interesting plot. But the prose is clunky at times and nowhere near as polished or subtle in her later novels, and the characters, while engaging, remain early blueprints of protagonists from her other books: a sensitive, naive boy and a headstrong, wilful girl meet again and again in Moreno-Garcia’s stories, and Certain Dark Things is no exception.

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Silvia Moreno-Garcia, Velvet Was the Night (2021)

Author: Silvia Moreno-Garcia

Title: Velvet Was the Night

Format: E-book

Pages: 304

Series: –

The newest Silvia Moreno-Garcia’s book is a historical noir mystery/crime, set in the simmering danger of 1970s Mexico, when both the people and the country seemed inescapably gripped in a continuous, dispiriting turmoil. Whatever else you’ve read by this author, Velvet Was the Night might still surprise you. There’s not a whiff of supernatural anywhere; well, except for the very real horror that humans are capable of. There’s also not much of a romance, or beauty. Indeed, Velvet Was the Night is a surprisingly political book, depicting violent actions of increasingly more desperate, more ruthless factions of an internal conflict fueled by ideology, economy, and foreign interests. While its scope and stakes seem small – no grand assassinations or rebellions, no dramatic political shifts, just common people caught between a rock and a hard place – the ultimate price is still paid in the most valuable currency: human life and decency. 

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Silvia Moreno-Garcia, The Beautiful Ones (2017/2021)

The Beautiful Ones is out today

Author: Silvia Moreno-Garcia

Title: The Beautiful Ones

Format: E-book

Pages: 320

Series: –

Another of recently re-published novels, with a new (very sumptuous and eye-catching) cover, The Beautiful Ones has been my first unsolicited NetGalley book – hurray! 😊 I’ve received more titles since then (and I’m still struggling with saying no), but that old-new Moreno-Garcia’s novel definitely caught my eye. Having read and enjoyed Mexican Gothic, I expected The Beautiful Ones to be similarly dark and unsettling. The blurb promised secret bitter truths, magic and telekinesis, so I envisioned a fin de siècle vampire story, somewhere along the lines of Rice’s Interview with the Vampire (no, I haven’t read that one, I’ve only watched the movie 😉). Alas, I should’ve listened to the reviewers who claim that no two Moreno-Garcia’s novels are alike – because this one turned out to be a very straightforward historical romance, or novel of manners, with a slight fantasy twist. To be honest, I felt that the fantasy elements were mostly decorative, and I had a distinct impression that they were there for a single purpose only – for one scene at the very end.

Let’s be clear: I don’t read romances. Not because I’d never touch them with a ten-foot pole (though I’m getting there) but because I have already read a few, mostly historical ones, and my observations to date indicate that 1) they are generally following a very simple formula; and 2) I just don’t like them. I don’t find myself interested or even slightly invested in the daring adventures of hearts, in the usually contrived obstacles between star-crossed lovers, and in the dramatic resolutions. No, not even Austen (gasp!).

Imagine my conundrum with The Beautiful Ones, then – which is as simplistic in terms of cast and as baroque in terms of plot convolutions as it can get away with. The plot especially seems like something taken straight from numerous Latin American soap operas, with multigenerational families, secrets from the past, and beautiful, cold women. I was close to DNFing this one despite the evocative, trademark Moreno-Garcia’s prose, because veritably all characters seemed to be ready-made by the same romance-churning machines: walking stereotypes engaged in predetermined actions. Charming, sure, but not even considering not toeing the line of romance conformity. And yet, I’m glad I persevered and finished this book, because even if it didn’t change my opinion of romances as a literary genre, I was still pleasantly surprised by the feminist twists on the age-old patterns.

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