Piotrek: It’s been a month since Jessica Jones’ Second Season’s premiere and finally we sit down to cast our judgement 😉 I must admit the show did not induce particularly strong feelings in me this time, contrary to the first encounter. Not disappointment, but also not enthusiasm. After an awful Iron Fist and mediocre – at best – Defenders, we got thirteen watchable, but largely forgettable, episodes of superhero TV. As a new industry standard, it’s cool, but in comparison to, say, Marvel’s The Punisher, to stay within Netflix/Marvel universe, nothing special.
My main problem with Season One was that it did not show us Jessica doing the actual detective work, that the Killgrave was defeated largely by his fascination with our heroine, not her skills and efforts, and that the show was not as connected with other Netflix Marvels as it should have been, given its source material. No Murdock, Patsy as a poor substitute for Jessica’s true best friend – Carol Danvers AKA Captain Marvel… it was not bad TV, but not a great adaptation of one of the most interesting comics I’ve ever read.
Ola: I’ve forced myself to watch the second season of Jessica Jones only for the purpose of this review :P. I actually think I preferred the first season, despite its vivid and undeniable inferiority to the comic books. The second season suffers from a bad case of an ideological bout of righteousness. Don’t get me wrong – I supported “#Me too” action, because I thought it was an unfortunately necessary, if overly heated and not always fair, debate. But hitching the JJ2 wagon to “#Me too” action seems, firstly, unnecessary, and secondly, in bad taste. The storylines of Alias
, i.e. Jessica Jones comic books, can easily defend themselves. They don’t need additional repetitions or variations of the themes already covered, abundantly, I might add, in season one.
Ola: The Last Jedi is the second instalment in the new Star Wars trilogy, produced by Disney and without any direct involvement of George Lucas, the original creator of Star Wars universe. The Last Jedi starts right where Episode VII ended. My review for The Force Awakens, and my openly expressed criticism, can be found here. Episode VIII was supposed to open a new field of play, built on the flimsy foundations set in the derivative plot of Episode VII. Most of the fans had high hopes for The Last Jedi, both because of the immensely advanced technology allowing for more picturesque and dynamic scenes, and because it is the middle part of the trilogy – the analogies to The Empire Strikes Back were clear from the beginning, with Luke Skywalker doomed to reprise the role of Master Yoda.
The Last Jedi turned out to be a wholehearted reprisal of The Empire Strikes Back: with Dagobah set on a stony island, a reluctant hermit teaching the secrets of the Force to a young (but too old anyway!) and strong in the Force adept, a doom hanging on suddenly desperate Rebels… What happened to the New Republic? There are also some additional scenes taken out from The Return of the Jedi: our protagonist, trained in the ways of Force, tries to rescue the Big Bad Skywalker, in whom a conflict of darkness and light burns brightly… The protagonist is tortured by the evil Emperor with a badly distorted face and a penchant for terrible sneer (or Supreme Leader, whatever) only to be saved by the Big Bad Skywalker.
I hope everyone’s already seen Episode VIII. Because my first question is: WTF??? Why are you, Disney, so bent on killing all the beloved characters of old trilogy? Is this some kind of ritualistic patricide? I mean, I probably should be glad you didn’t use pretzels as a means of gruesome death, but that’s not enough for me, not by a long shot.
Piotrek: I, on the other hand, had fun watching the latest installment of Star Wars franchise. I’d say it was a very nice movie, but perhaps not a good addition to the SW universe.
I’ve already mentioned that I love Fables, a comic book series by Bill Willingham.
Fables are real. And, exiled from their worlds by (initially) unknown Adversary, they live in our world. Mainly New York, as usual ;), but not only. Centuries ago a huge army started to conquer one world after another (in a kind of multiverse where every legend has its place, and Earth acts as an Amber of sorts, the core reality where mundane people live, creating and remembering stories*). Many Fables were killed, most subjugated, some serve the new regime, but some escaped to Earth – and dream of regaining what they lost. They formed a government of sorts, with HQ in NY, and they live among us. At least those of them, who can maintain human-like form, the rest live on animal farm in the wilderness of New York State countryside.
*Willingham uses popular system, where the strength of belief in something influences its power. Popular Fables are really powerful, forgotten – decline in time.
Yes, so the comics are great, and I also recommended most of the spin-offs. The novel occupied its place on my shelves for a few years, but I’ve only read it recently. Not that I was worried it would be bad – there just always was something else. Now I’ve read it and I’m quite happy about it, but convinced Willingham should stick to comics.
Age of Iron, book one in Angus Watson’s Iron Age trilogy. These books have been on my radar for some time and finally, when I found myself in possession of some spare Audible credits, I bought an audiobook version.
These books were quite visible, at least here in Poland, cool covers everywhere in local bookshops, translated same year original editions were published. I expected light reading, with lots of gore and not-too-sophisticated humour. Something in the vein of Conan maybe. Somehow, I missed that they were supposed to take place in historical pre-Roman Britain, only with a dash of magic added.
And lots of forging 😉 Although, personally, I would start with glory, and then, thanks to fire-forged leadership, finish with legends, but maybe the order doesn’t matter…,
Quite recently I dedicated an unusually long post to a heated critique of some minor points of one of my favourite fantasy series ever. Apart from my conviction that one of the characters is overpowered and unnecessary, I concluded: arguably some obscure details of how war develops are slightly distorted, giving the series 9,5/10.
That was before reading Seal of the Worm and now I have to admit – the final instalment made me sad. So – the whole series keeps the “well done” tag, “medium” applies to the Seal of the Worm.
Spoilers ahead, even more than in the previous post.
Magic Binds is the ninth installment in the highly acclaimed urban fantasy series by the writing duo, Ilona and Gordon Andrews. Having reached the status of bestsellers and the rare honor of hard cover over the span of an almost decade of writing, Kate Daniels series is widely recognized as one of the best urban fantasy series in the market. I have written about the series here. After several pretty decent novels there came a serious dip in the form of Magic Shifts, then a couple of novellas about side characters from Kate Daniels’ world, and an entirely new urban fantasy/romance series before finally the ninth book saw the light of day.
Magic Binds garners enthusiastic reviews from critics and fans alike, showcasing all the strengths of the previous novels. The end of the 10-book story arc is near, and so the ninth book cannot but head toward some kind of a grand conclusion, upping the ante and preparing ground for the big climax. All the smoldering conflicts burst up in flames, all the grudges and favors are coming to the fore once more, and the knowledge of previous events is a must. It follows logically that the readers in general – and the people writing reviews specifically – have invested so much into the series already that their reception might be more than just a bit skewed.
Tor.com has its Space Opera Week now, and it’s going to add quite a few items to my To-Be-Read pile, especially since Space Operas tend to be multi-volume endeavours. It renewed my interest in the Vorkosigan Saga by Lois McMaster Bujold, one of THE great genre series that are still waiting for me, and put The Uplift by David Brin on my radar, and also reminded me that I have first two omnibuses of Saga waiting on my shelves (I wanted to wait till it’s all finished, but it’s very tempting to start right now…).
My decision to start David Drake’s Republic of Cinnabar Navy series had nothing to do with it, volume one was what I got for my monthly Audible credit this April, volume two I listen to right now, and I believe it to be an excellent example of this particular subgenre, with all its vices and virtues.
Also, a rare example of American covers being superior, the oldschool ones are original Baen, the shitty ones – relatively recent Titan version. Luckily, Audible.co.uk chose Baen for audiobooks.