Author: Jonathan French
Title: A The Grey Bastards
The Grey Bastards, French’s first installment in the Lot Lands series and the winner of Mark Lawrence’s Self-Published Fantasy Blog Off 2016, has been steadily making its rounds around the blogosphere for a while, and became especially popular after the publication of the second installment, The True Bastards, earlier this year. The covers of both installments are really neat (I’d say “pretty” but somehow that word doesn’t seem to really fit fanged half-orcs) and give the reader a fair taste of the content. Which is, contrary to the expectations of some, less a story about nasty old pensioners, and more a curious mix of biker gang lore, bastardized Tolkien setting (well, I couldn’t resist) in a RPG-derived form, and some solid wordlbuilding.
The Lot Lands, previously called Ul-wundulas, are a domain ravaged and scarred by a war. The terrible orc Incursion into the greener and more fertile lands of the Hispartha kingdom a generation back had several unintended consequences: a swath of land between the kingdoms of humans and the domains of the orcs had been razed and destroyed, leaving it all but empty – a no-man’s land, vulnerable to another incursion and liable to start another war. In the wake of Incursion, the half-human, half-orc slaves of Hispartha had been freed and allotted a part of the empty lands, under the condition of protecting the border. Divided into several “hoofs”, a cross between a tribe, a warrior-group and a gang, they share the Lot Lands with insular and dangerous elves, unlucky and demoralized soldiers banished from Hispartha to the ungrateful task of manning the castilles along the border, religiously-minded Halflings defended by the world’s Tartars(!), called Unyars, blood-crazy centaurs, and Sludge Man – a dangerous demon inhabiting a fetid marsh and controlling moving masses of black, sticky goo.
Grey Bastards are one such hoof, consisting of several seasoned riders tasked with a double duty of patrolling the lands in the vicinity on the backs of great war hogs and with protecting a village of women and orphans which had symbiotically grown under their fortress. In this world, another conflict seems inevitable – and the protagonists of The Grey Bastards are in the middle of it all. Intrigued yet?
There are many great stand-alones in fantasy, but, arguably, the genre is built on series. I guess, when you create an entire new world, just to place your story there, you’re tempted to re-use it 😉 And it pays better, and readers expect it. So, while Tolkien started with trilogy (that he is quoted
to think about LotR as one book), his successors published longer and longer series or various length, renown and quality. For me, Belgariad and Dragonlance were gateways into post-tolkienian fantasy, and, after ca. 25 years of reading fantasy, there are still more huge – and reportedly great – series on my TBR.
Recently, I found myself on an extended business trip abroad, with only one book in my luggage (a 900-page one, but still 😉 ) and I visited an excellent second-hand bookshop that offered a pretty complete collection of one of the longest-going fantasy sagas, L.E. Modesitt’s Saga of Recluce
. While not featured in most of the top tens, it’s often mentioned as an interesting series of novels, with carefully thought-through magic system and an innovative approach to the issue of chaos/order balance. I’ve always been interested by this last issue, as a huge fan of Zelazny
‘s Amber. I bought the first four volumes, and now, after reading the first two, I reached a preliminary verdict.
And Tolkien it ain’t 😉
Author: Mark Lawrence
Title: One Word Kill
One Word Kill, the first installment in the Impossible Times sequence and Lawrence’s first foray into a SF territory, came on the heels of his success with Book of Ancestor trilogy. The book met with enthusiastic reviews and has been recommended by many fellow bloggers – Mogsy, Aaron and Drew, to name just a few. As I haven’t read anything by Lawrence, One Word Kill was suggested to me as a good entry point – and by now I can firmly attest to the popular conviction that Lawrence knows how to write. His writing skills are a thing to behold, especially in such a short novel as One Word Kill, where every word counts. It’s a mark of professionalism to spin an intriguing story, build a convincing world and create compelling characters within a couple hundred pages. As much as I would love to wholeheartedly recommend the book, however, I can’t. To borrow Bookstooge’s latest food metaphor, One Word Kill reminded me mostly of a solid fast food meal: it had all the necessary ingredients, maybe even chosen with care for their environmental impact and health benefits, it was very professionally made and quite substantial, but by no means was it a masterpiece or a sensory delight.
Avengers: Endgame. Movie to conclude the major plot points of 21 movies, stories of multiple characters that took place throughout the galaxy. Thanos won part 1, but we just knew not all was lost. It would go against every rule off modern profitable film-making, and some of us read comics…
WARNING! There will be spoilers. The movie has been in cinemas for three weeks, so you had time enough to see it 😉 It will be our discussion on how successful it’s been in summing up the complicated history of MCU and opening avenues for new adventures.
Piotr: I’m a bit tired of my role of enthusiastic simpleton, yet I’ll start with a decisive yes. It was not a perfect movie, it was not the best Marvel movie, but it was a movie well suited to play its unique role within the MCU. Heroes ultimately won, but it wasn’t easy, and not without serious sacrifices. There were hilarious moments, spirit-rising speeches, epic battles – the final battle was, IMO, better than the one from Infinity War. Three hours, but I was not bored and could even stay in the cinema a little longer 😉
Ola: I am also quite tired of playing the unsmiling Dirty Harry to your Pollyanna, and yet I cannot endorse this movie. It is well-made, very professional and full of perfectly choreographed and rousing action scenes, but ultimately it remains empty, the promises of Infinity War for something deeper unrealized. I was intrigued and dismayed in turn, and what really killed my pleasure of enjoying this movie was the lack of internal coherence and logic. For a film that makes so much fun of Back to the Future it should really show a better alternative to time travel – and one that is not blithely disregarded half an hour later.
Author: Edward Rickford
Title: The Serpent and the Eagle
*I received a copy of this book from the author in exchange for an honest review*
The Serpent and the Eagle is Edward Rickford’s debut, a first book in a planned trilogy about the Spanish conquest of the Mexica (Aztec) empire. The topic of Hernán Cortés’ bloody and ambitious subjugation of the biggest New World empire of the time is a very interesting one, and I was eager to read the fictionalized account of his endeavors, especially balanced, as was the case here, by the Mexica perspective.
If I were to describe The Serpent and the Eagle in one word, it would be “earnest”. It is indeed a very earnest book, a work of undeniable effort and knowledge, and a clear passion for the topic.
It’s been some time since we had a Marvel movie review 🙂 But in preparation for Avengers: Endgame we feel we need to review the most recent MCU production, Captain Marvel.
First things first, we’ve decided not to tackle the controversies concerning Brie Larson, the lead of the movie, and the fanbase, a huge part of which chose to get enraged. None of this serves the movie well, and we’d rather focus on the newest entry in MCU itself :).
Captain Marvel is a definitely smaller and less ambitious movie than the entirety of the Avengers franchise; in fact it’s one of quite a few origin stories Marvel has put on the screen through the years – from Iron Man (2008), Thor (2011) and Captain America: The First Avenger (2011) through Ant-Man (2015) and Doctor Strange (2016). We should probably also include Hulk (2003), at least from the chroniclers’ duty point of view, even if the majority of fans would prefer to forget it 😉 Captain Marvel also the first Marvel female-centered movie, despite fans’ ongoing pleas for a Black Widow flick. It is symptomatic, then, the the female superhero Marvel decided to depict in their response to the popularity of the Wonder Woman movie (2017) was a similarly beefed up, overpowered character of an ex-fighter pilot, who at the beginning of the movie remains an outside force not connected to Earth’s troubles or humanity, and whose main story arc revolves around the issue of getting involved and starting to care.
Piotrek: It’s been a month since Jessica Jones’ Second Season’s premiere and finally we sit down to cast our judgement 😉 I must admit the show did not induce particularly strong feelings in me this time, contrary to the first encounter. Not disappointment, but also not enthusiasm. After an awful Iron Fist and mediocre – at best – Defenders, we got thirteen watchable, but largely forgettable, episodes of superhero TV. As a new industry standard, it’s cool, but in comparison to, say, Marvel’s The Punisher, to stay within Netflix/Marvel universe, nothing special.
My main problem with Season One was that it did not show us Jessica doing the actual detective work, that the Killgrave was defeated largely by his fascination with our heroine, not her skills and efforts, and that the show was not as connected with other Netflix Marvels as it should have been, given its source material. No Murdock, Patsy as a poor substitute for Jessica’s true best friend – Carol Danvers AKA Captain Marvel… it was not bad TV, but not a great adaptation of one of the most interesting comics I’ve ever read.
Ola: I’ve forced myself to watch the second season of Jessica Jones only for the purpose of this review :P. I actually think I preferred the first season, despite its vivid and undeniable inferiority to the comic books. The second season suffers from a bad case of an ideological bout of righteousness. Don’t get me wrong – I supported “#Me too” action, because I thought it was an unfortunately necessary, if overly heated and not always fair, debate. But hitching the JJ2 wagon to “#Me too” action seems, firstly, unnecessary, and secondly, in bad taste. The storylines of Alias
, i.e. Jessica Jones comic books, can easily defend themselves. They don’t need additional repetitions or variations of the themes already covered, abundantly, I might add, in season one.