Matt Ruff, Lovecraft Country (2016)

Author: Matt Ruff

Title: Lovecraft Country

Format: Paperback

When Atticus Turner, a Black ex-soldier fresh from the Korean war, gets a mysterious letter from his father, he goes back to Chicago, and later to a small town of Ardham, Massachusetts. Along with him goes his childhood friend Letitia and his uncle, George, publisher, writer and researcher of The Safe Negro Travel Guide, and they have to fight both the cosmic horrors straight from the Cthulhu Mythos and the no less real horrors of their fellow human’s prejudices. It’s a bit like a crossover of Call of Cthulhu and Green Book.

Ok – it’s political. My next post after Ministry for the Future, and another unashamedly political novel. Matt Ruff’s Lovecraft Country is a subversive pulp horror, just as Guardian quote on its cover claims, and I’ll try to say a few words on whether it’s smart further in the review 😉 I would also like to emphasize it’s solely about the book, I’ve seen only the first episode of the TV show, liked it enough to stop and order the novel, and I’m yet to go back and watch the rest of it.

Let me start with some praise for the cover – I just it. Pulpy, lovecraftian, with some KKK undertones – fits its contents perfectly, even the “now a major HBO series” sign does not make me angry. I’m happy I own a physical copy!

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Neil Gaiman, Rafael Albuquerque, A Study in Emerald (2018)

A Study in Emerald

Author: Neil Gaiman, Rafael Albuquerque

Title: A Study in Emerald

Format: Hardcover

Pages: 88

Right in time for October spookiness, Gaiman’s cheeky and heartfelt tribute to both Arthur Conan Doyle and H.P. Lovecraft is a lovingly crafted mystery clad in horror. Gaiman’s short story won 2004 Hugo Award for Best Short Story and the 2005 Locus Award for Best Novelette, and had been adapted to the comic book medium by Rafael Albuquerque, Rafael Scavone,  and Dave Stewart over a decade later.

I must admit I did read the short story back in the time, but the comic book adaptation somehow made a much greater impression on me. Maybe it’s the Lovecraftian vibes, which so greatly lend themselves to the dark, shadowy frames filled with menacing tentacles and splotches of vivid green, or maybe it’s the structure of the story, beautifully misleading the readers, throwing red (or rather emerald) herrings left and right, only to reveal its true nature to the careful reader (and indeed, half the pleasure from reading Gaiman’s take on the world’s best detective stems from knowing all necessary facts about Sherlock Holmes ;))

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