Akira Toriyama, Dragon Ball (1985 – 1989)

Confession time: as a kid, I was never into manga. Sure, I watched an the odd anime episode, from Tōshō Daimos to Captain Tsubasa (though the last was hard to endure, watching that football roll through the whole episode was sleep-inducing and I don’t think I ever watched a whole episode, really ;)), but I hadn’t taken to it at all. If all you had to judge Japanese art was Sailor Moon, well – I’m pretty sure you can understand my total lack of interest back then.

But fast forward to 2021, and voila! In April and May have devoured all 42 volumes of Dragon Ball and Dragon Ball Z and was so happy with it that now I’m looking for a nice edition to buy myself a treat 😀 And because I reviewed all the DB volumes on GR, I decided to take inspiration from Lashaan and post them here on the blog as well. What’s so cool about DB, I hear you ask? Well, a whole lot of stuff, really: the whimsy, the humour, the fantastical imagination of the author, the absolute mastery of simplicity in art (which, man, I have read some other mangas since DB, and none of them come close to Toriyama’s art), and, of course, the main protagonist Goku. While the whole idea for DB and its little hero is rooted in the Chinese legends of Monkey King (and you can check out my review of Liu’s take on this mischievous trickster here), Toriyama took it in such fantastic, unexpected directions, deftly mixing Western and Eastern popculture with mythology and martial arts ethos. And that last element was what surprised me the most, I must say: Toriyama’s depiction of martial arts, and martial artists’ ethos, is amazingly deep, even if delivered in an offhand, funny way. I actually think it’s the best that I had read. Hats off!

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