This book has made its rounds in the blogosphere; almost universally praised by many of our fellow bloggers, it was hailed as a unique blending of post-apocalyptic dystopia with a heartfelt reflection on the current state of our world, spiced with an empathic portrayal of the bond between man and dog. It all sounded wonderful. To me, however, this book turned out to be a total hoax.
It is an unremitting diarrhea of words, generated by an old man masquerading himself as a teenager. And here’s the crux of the problem. Nothing in this book seemed even remotely realistic: not the setting, with the mysterious Gelding and a plethora of weird behaviours in response to the realization that end of the humans is near; not the worldbuilding, inconsistent and varying in the amount of details from nearly none to overabundance in just few short paragraphs; and absolutely not the characters. Everything seemed like an elaborate stage setup erected by the author solely for the purpose of expounding – freely and without consequences – on his own opinions on everything. Don’t get me wrong; literature in its entirety is predominantly focused on exactly that, most of the time. Here, though, the smug masquerade incessantly grated on my nerves.
There was nothing honest in this elaborate setup, and while I enjoy my share of subtle sleights of hand, I enjoy them solely on the basis of willing participation on my part, and not because someone sets out to make a fool of me. The total and unchallenged domination of one perspective – not questioned or undermined in any way by others – soon became exceptionally tiresome. For the narrator is a perfect example of der Besserwisser, happy to share with all the world his ruminations in a distinctly Sheldon Cooper-esque way – that it to say: whether the world wants it or not. Doomed to view the world from his viewpoint I soon started to feel deep disenchantment with the whole endeavor; despite that, I tried to finish this book – until I realized that I’m forcing myself to do something I actively dislike.
Buoyed by the success of our Deadly Bookish Sins tag we decided to even out the playfield – and created a corresponding Bookish Heavenly Virtues tag 😉 We had a lot of fun writing the questions and answering them, and now we hope you’ll enjoy reading them – and, if you do, we invite you to participate in the tag as well :).
CHASTITY: Which author/book/series you wish you had never read?
Ola: Aaand we start with a bang 😉 The two that most easily come to mind are Patrick Rothfuss’ The Name of the Wind (DNFed around the junkie dragon mark and I only wish I threw it down sooner) and Justin Cronin trilogy (DNFed within first 100 pages of the third installment – what a waste of time). I’m usually pretty lenient when it comes to books, as they are in fact someone’s years of hard work and dreams. But I absolutely abhor waste of time on things I dislike, as the theory of alternative costs plays in my mind different scenarios of what I could have done with that precious resource, and the two examples above represent exactly that.
Piotrek: It’s a hard one. I usually only go for books I can be sure to enjoy at least a bit, and some of the really terrible ones I revenge-reviewed, so it was not a waste of time, was it?
One case where I could have saved the time and read something else, even at a cost of not having a vitriolic review to write, was the Iron Druid Chronicles. Details – in the linked review 😉 but I have to say, the more time passes, the more I’m convinced it’s a case of urban fantasy tropes tortured inhumanely for no good reason.
And so we arrive at the final chapter of the story originated in The Passage. I enjoyed the first installment, was disheartened by the second… And the third was my first DNF in years – actually, the first since Rothfuss’ The Name of the Wind, the review of which can be found here.
As I am an (almost) compulsive reader, DNF-ing a book is a big deal. I usually try to finish even those books which I don’t enjoy – there are plenty of examples of such instances on the blog, for example here and here, and here… DNF is a big thing for me. It’s sort of a final, irrevocable verdict, an emperor’s finger pointed down, the sword falling and lions waiting. DNF-ing a novel means for me that the work in question possessed no redeeming quality, no point of access, and that I considered reading it a total waste of time.
Jean –Léon Gérôme Pollice Verso (Thumbs Down) , 1872
So now it’s time to explain why the conclusion to a trilogy which has begun with such a promise was a complete letdown.