Adrian Tchaikovsky, One Day All This Will Be Yours (2021)

Author: Adrian Tchaikovsky

Title: One Day All This Will Be Yours

Format: E-book

Pages: 192

Series: –

After a couple of disappointing books by Tchaikovsky I approached this novella with certain trepidation. After all, one can become too thinly spread, “sort of stretched, like butter scraped over too much bread,” even without One Ring (unless you want to confess, Mr Tchaikovsky?) I needn’t have worried, tough – this novella is short and sharp and scathing, with long pointed teeth and unrelenting snarkiness that brings to mind the best that stand-up comedy has to offer.

And this novella is indeed written very much in the style of stand-up comedy, with the protagonist wound up to the extreme, never shutting up, venting his anger and misanthropy in an unceasing torrent of words. It’s funny, it’s rabid, it’s sarcastic – but most of all, it’s to the point. You see, in Causality Wars the unnamed protagonist is the veteran of the humanity – and history – ceased to exist. With the onset of time travel rewriting the past became the favorite pastime of governments and agencies, and all the innumerable, contradictory changes to the history carried out by time soldiers resulted in shattering the past and erasing the present. It was still salvageable, more or less – until Causality bombs destroyed the substance of time. And so now, at the end of times, in the one stable point of a glorious indeterminate amount of time, our protagonist treasure hunts the sharp shards of the past, gathering farming equipment, growing veggies and killing random time travellers who inexorably land in his garden, in the farthest possible future. Until travellers from the actual, future, future turn up on his porch and call him Gramps. The gall! Gramps is not happy; he’s a nasty mean old geezer and wants to stay this way forever, so obviously the only thoughts he spared for his bride-to-be are how to most efficiently kill her before they can produce any of that horrible offspring.

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Adrian Tchaikovsky, Bear Head (2021)

Author: Adrian Tchaikovsky

Title: Bear Head

Format: E-book

Pages: 400

Series: Dogs of War #2

Tchaikovsky became one of my favourite authors of fantasy after I read his amazing, and still not well-known enough (read it if you haven’t yet!) Shadows of the Apt. His Children of Time proved that he can easily deliver interesting, thought-provoking, emotional SF as well, and I’ve read enough of his short stories to know he can be a pro at writing these, too. In short, he’s a very well-rounded, very talented author, with unwavering focus on emotional development and a firm if understated ethical foundation. He has a knack for tackling difficult, often traumatic topics with tact and sensitivity, never going for cheap thrills or gratuitous exploitation. All in all, he’s one of the very few authors I keep constantly on my radar. Granted, there were a few a bit concerning reviews of his couple of books along the way that I haven’t gotten around to read, and I’m not certain I will – the sequel of Children of Time, Children of Ruin, springs to mind. But generally, with Tchaikovsky, I knew what to expect. Now, after reading Bear Head, I’m not so sure anymore. If anything, I’d venture an opinion that he had become the victim of his own success: writing too many books in too short a time, and none of the projects getting enough attention and polish and love to become a truly outstanding work, on par with Shadows of the Apt.

Because Bear Head is the worst of Tchaikovsky’s books I’ve read so far. It’s by no means bad; it’s still very engaging, well-written, fast-paced page-turner tackling ambitious problems in an interesting, thought-provoking way. Yet it also feels underdeveloped, rushed, and – surprisingly for Tchaikovsky – not entirely thought through. It has a more “paint-by-the-numbers” feel than the usual impression of a thoughtful creative work. It’s also, maybe most importantly, more of a political statement than a SF novel. Ah, all SF novels are political statements of one kind or another, I think we’d all agree on this. It’s just that in this case Bear Head veils itself in a very thin layer of science, indeed – and whatever there is, serves as a focus for the very concrete, very clearly defined “now,” in contrast to the previous concerns with more abstract ideas like “human nature” or “future,” which used to be the crux of his Children of Time, for example.

Lots of big words here, I know, and lots of harsh accusations. Let’s get down to the tangibles, then.

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Real Neat Blog Award

We’ve been doing many TAGs recently, but we found it’s a nice way to collaboratively write something fun quickly 😉 We still have a few we wanna do, this time – it’s the Real Neat Blog Award – many thanks to Lashaan of Bookidote for the nomination! We will be using his set of questions, so remember – there are no stupid questions, and answers are our sole responsibility 🙂

1. If you could do something better than you’re already doing right now, what would it be?

Piotrek: Organizing my time. I don’t have too much to do, just a bit more than I used to – and there goes good bit of my reading time, and, sadly, most of my blogging time. Less politics, less FB, better concentration – should help, if I find the willpower 😉

Ola: Surfing. Achieving zen-like peacefulness in the middle of the week. Watercolor painting. I could go on and on, but that’s enough work for now 😀

surfing

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Adrian Czajkowski (Tchaikovsky), Made Things (2019)

Made Things

Author: Adrian Czajkowski

Title: Made Things

Format: E-book

Pages: 190

Series: –

ww2020

Adrian Czajkowski is probably most well-known to SFF readers for his science-fiction novel Children of Time – and, of course, for his unconditional love of spiders. Yet to me, his best work to date is unequivocally the ten-book fantasy series Shadows of the Apt, which I don’t hesitate to call his opus magnum – both because of the sheer length of the saga (and I’m not even counting the companion collections of short stories), but also because it is insanely creative, ambitious, and yet respectful toward its historic sources. Czajkowski has become a truly prolific writer, mixing many flavors of the SFF and even horror genres into unique, original work. Made Things, his novella/short novel, can be described as such an effort – a whimsical tale of adventure and magic in an alt-Mediaeval world.

Made Things are literally made things – little homunculi originally created by a human from a variety of materials, from metal and wood to paper and thread, and given life through magic. Now, having gained independence from their maker in somewhat traumatic circumstances, they find themselves completely on their own in a not very friendly, and frankly rather enormous, real world. They are drawn to the human world and human-made sources of magic: various trinkets, jewelry and items of great power, as magic imbues their bodies with a life-force and sentience. They are also drawn to people themselves, however dangerous that might be, because people tend to possess a lot of non-magic stuff – out of which a new body for a new member of the colony can be fashioned (or outright stolen, as the case may be for some of the more entrepreneurial little people).

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Adrian Czajkowski, Guns of the Dawn (2015)

First a blog-related question – how do you like the new layout? I am, I have to admit, on a fence, but it is refreshing 🙂

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And now, this:

Guns-of-the-Dawn

Author: Adrian Czajkowski

Title: Guns of the Dawn

Format: Hardcover

Pages: 658

A book bought by me immediately after it was published, read and reviewed by Ola, and now I also finally got around to reading it. Ola’s original post is in Polish, as was often the case in our early days, so I’ll recapitulate, and maybe one day she will translate the whole thing.

Ola liked it, with 9/10 I’ll say she loved it. Sense and Sensibility in Vietnam was her title, and what followed were comparisons to PlatoonFull Metal Jacket and Apocalypse Now. And Shadows of the Apt, obviously 😉 Conclusion is, that the book is as well written as Czajkowski’s other novels, and keeps the reader interested up to the very last page.

In general, I agree, but I’m not as enthusiastic as Ola had been.

I agree, we do have a likeable heroine, Emily Marshwick, a copy of Austen’s protagonists, a daughter of impoverished nobility trying to stay afloat in a dilapidated family manor in a society that reached early industrial age – while preserving magic and strong monarchy. She’s pragmatic, self-reliant, smart, prideful and quite a bit prejudiced. It was light, not as fresh as Austen’s prose 200 years ago, but very entertaining.

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