The Grey Bastards, French’s first installment in the Lot Lands series and the winner of Mark Lawrence’s Self-Published Fantasy Blog Off 2016, has been steadily making its rounds around the blogosphere for a while, and became especially popular after the publication of the second installment, The True Bastards, earlier this year. The covers of both installments are really neat (I’d say “pretty” but somehow that word doesn’t seem to really fit fanged half-orcs) and give the reader a fair taste of the content. Which is, contrary to the expectations of some, less a story about nasty old pensioners, and more a curious mix of biker gang lore, bastardized Tolkien setting (well, I couldn’t resist) in a RPG-derived form, and some solid wordlbuilding.
The Lot Lands, previously called Ul-wundulas, are a domain ravaged and scarred by a war. The terrible orc Incursion into the greener and more fertile lands of the Hispartha kingdom a generation back had several unintended consequences: a swath of land between the kingdoms of humans and the domains of the orcs had been razed and destroyed, leaving it all but empty – a no-man’s land, vulnerable to another incursion and liable to start another war. In the wake of Incursion, the half-human, half-orc slaves of Hispartha had been freed and allotted a part of the empty lands, under the condition of protecting the border. Divided into several “hoofs”, a cross between a tribe, a warrior-group and a gang, they share the Lot Lands with insular and dangerous elves, unlucky and demoralized soldiers banished from Hispartha to the ungrateful task of manning the castilles along the border, religiously-minded Halflings defended by the world’s Tartars(!), called Unyars, blood-crazy centaurs, and Sludge Man – a dangerous demon inhabiting a fetid marsh and controlling moving masses of black, sticky goo.
Grey Bastards are one such hoof, consisting of several seasoned riders tasked with a double duty of patrolling the lands in the vicinity on the backs of great war hogs and with protecting a village of women and orphans which had symbiotically grown under their fortress. In this world, another conflict seems inevitable – and the protagonists of The Grey Bastards are in the middle of it all. Intrigued yet?
Sometimes we go a bit outside genre, and it’s not always politics 😉 This occasion, however, definitely merits this little jaunt beyond our usual hunting grounds.
Piotrek: Well, it is election day in Poland, and the stakes are high, but it’s against the law here to discuss politics on election weekend. Lets just say, I’m depressed and did not prepare any champagne for the evening. Looks like four more years of catho-national populism.
Good things do happen, though, and last Thursday a very distinguished Polish writer got a Nobel for 2018. Who is she? A dreadlocked feminist winner the Nobel needed, claims Guardian, and I very much agree. I’m not always happy with Swedish Academy’s choices, but this time I am, and not because she’s Polish (who cares) and only partially because of her political views (which tend to be pretty close mine, the regime hates her 😉 ). I see her books as both insightful, very up to date – but rooted in the troubled history of our region – and extremely readable.
Right in time for October spookiness, Gaiman’s cheeky and heartfelt tribute to both Arthur Conan Doyle and H.P. Lovecraft is a lovingly crafted mystery clad in horror. Gaiman’s short story won 2004 Hugo Award for Best Short Story and the 2005 Locus Award for Best Novelette, and had been adapted to the comic book medium by Rafael Albuquerque, Rafael Scavone, and Dave Stewart over a decade later.
I must admit I did read the short story back in the time, but the comic book adaptation somehow made a much greater impression on me. Maybe it’s the Lovecraftian vibes, which so greatly lend themselves to the dark, shadowy frames filled with menacing tentacles and splotches of vivid green, or maybe it’s the structure of the story, beautifully misleading the readers, throwing red (or rather emerald) herrings left and right, only to reveal its true nature to the careful reader (and indeed, half the pleasure from reading Gaiman’s take on the world’s best detective stems from knowing all necessary facts about Sherlock Holmes ;))
As you can see, Re-enchantment got its first blogging award 😉 Big thanks to bookorbit for the nomination!
1. Thank the blogger who nominated you in a blog post and link back to their blog.
2. Answer the 11 questions the blogger asked you.
3. Nominate 11 new blogs to receive the award and write them 11 new questions.
4. List the rules and display the sunshine blogger award logo in your post/or on your blog.
I received only one question, thankfully, so I will answer it and then proceed in bending the rules even further 😉
A fantastic romp through absurdity, surrealism, and wonder of a world where the galactic society is so much larger than just a bunch of ex-apes ready to leave the Earth, Doorways in the Sand remains one of lighter and funnier Zelazny’s works, nominated to Hugo, Locus and Nebula awards. It was also one of his five personal favorites, along with A Night in the Lonesome October, This Immortal, Lord of Light (one of my favorite SF novels) and Eye of Cat.
It’s an incredibly optimistic, fun, short novel, full of poetic remarks, absurd puns, Lewis Carroll allusions and crazy tidbits of information from almost every sphere of science: sociology, anthropology, geology, plant biology, architecture, chemistry, psychology, parapsychology, physics… the list goes on and on, and the best part is that the presence of every bit in the text is fully justified: plot-wise and otherwise.
Kim Stanley Robinson is a prolific writer specializing in what one may call a subgenre of ecological sf. You know, terraforming processes, the future fate of Earth, generational ships… A fair bit of technical stuff, although definitely nowhere near the staggering amounts present in Stephenson’s works. A rather thinnish plot designed mostly to get to the perceived end-point by the most effective route possible, but still interesting enough to be worth following. And lots and lots of big picture thinking about the future fate of the Solar System – how it might look like one day if people stayed exactly the same but their environment drastically changed. It might sound boring, but I can assure you – it’s not. I reached for 2312 based on a recommendation of a fellow blogger, and though it took me a better part of two months to finish this brick of a book (464 pages in my edition), I was glad that I did. For those interested in awards, 2312 won the 2013 Nebula Award.
2312 describes a future that happened. Solar System is colonized – there are people living on Mercury and Venus and Mars, even Saturn and Jovian moons, and there is a whole diaspora of space travelers spending their entire lives in habitats – meteors which were drilled from within, turned into tori or empty drums, and seeded with a chosen environment. In other words – miniature worlds of a few square kilometers, teeming with life and yet unbelievably fragile at the same time. Heck, there are even people living on the meteors surrounding the Sun – Vulcanoids, worshipping the Sun as a fiery, cruel, and life-giving god. The Earth is a place of dissent and poverty, frantically sucking in the resources from other planets. Unchecked global warming considerably raised the sea levels, drastically limiting not only the habitable space, but also territories suitable for growing food. Forests are almost non-existent. Most of the big mammal species have become extinct. Earth became a terrible, desperate place, sowing dissent and rage across all of the Solar System – and yet still the only place that the human species might fully call their home.
The Heart Goes Last is one of the newest books published by a prolific Canadian author, Margaret Atwood. She had already secured a place among the classics with The Handmaid’s Tale, a dystopian story from 1985, currently viewed by some as a prophetic account of the US under Trump and/or alt right. The Handmaid’s Tale is once again in vogue due to a new and currently airing TV series by Hulu, which has garnered glowing critical reviews and very positive audience responses. It won the 2015 Red Tentacle Award (British Kitschies) for the best novel, leaving behind such acclaimed works as Dave Hutchinson’s Europe at Midnight (sequel to Europe in Autumn) or The Fifth Season by N.K. Jemisin, whose earlier book, The Killing Moon, is reviewed here.
Atwood’s credentials are known. She has written dozens of books, all one way or another touching upon contemporary social issues, exploring the themes of security and freedom, equality, violence, sexual exploitation, human liberties, etc. She has a following, and even if her prose is only rarely categorized as a fantasy or science-fiction, many of the themes and ideas are similar in vein to our blog’s main interest. There’s usually a typical s-f, or at least near future, element, be it a social change or innovation, or a biological/medical one.