We do not do tags often, and when we do, it’s usually so late everybody’s forgotten about them 😉 but we did like this one, one explored by severalfriends of Re-E, and now we’re ready to post 🙂 Seven deadly sins, but for readers!
What is the most expensive book you own? Which is the least expensive?
Ola: Huh, the book that springs to mind most quickly is my Folio Society’s edition of The Once and Future King, because I paid for the pristine, mint condition book personally 😉 But I do have a few signed books, or rare first editions, that may be worth more. Never really considered it though, and besides, I left them all back in Poland, for now – with a promise I made to myself, that I will bring them home one day, wherever it will ultimately be.
Least expensive? Old used books bought on Amazon Marketplace. I’m not counting the gifts, because those that I received as a gift were definitely expensive, to the giver 🙂
Piotrek: Well…I paid £75 for a Folio Society Edition of Dune, but some of the XIX-century volumes I own might be actually more expensive, I’d have to have them evaluated. They are family heirlooms, so I’m not going to sell them anyway.
Least expensive… I have dozens of volumes bought from Amazon Marketplace at £0.01 + postage and packing, great value for money, although recently the postage got more expensive, and less reliant – I blame notoriously unreliable Polish Post Office.
James S. A. Corey is actually two people, Daniel Abraham and Ty Franck. The former is a productive writer, author of over a dozen novels and multiple short stories. The latter is (or rather was, before becoming a half of James A. Corey) mostly known for his collaboration with George R. R. Martin.
The writers banded together to to create a sf pentalogy which would illustrate the painful and cumbersome process of humanity’s reaching out to stars. Forget that at the start it was supposed to be a trilogy – one does not collaborate with George R. R. Martin and escapes unscathed ;).
The whole series is already out. The final installment, Nemesis Games, hit the shelves not a full month ago, and SyFy is already making a TV adaptation called The Expanse and scheduled for airing in December. I guess there’s no better time for a short analysis J. I’m currently in the middle of book three, so eventually there will be part 2 of the review, covering remaining three novels. But for now – just the first two: Leviathan Wakes and Caliban’s War.
Leviathan Wakes was nominated for both Hugo and Locus awards. It’s a soft sf/space opera. Soft, which means that we don’t get lengthy descriptions of technological innovations or social changes inevitable in further stages of human evolution. Well, actually we don’t get any descriptions of that sort; the first installment is essentially a mystery drama in a sf wrapping. The second – a political drama in a sf wrapping. And it’s not a complaint – I’m simply stating facts, so that nobody mistakes The Expanse series for a new Asimov or Heinlein, or Clarke. Because Leviathan Wakes, and, to a lesser extent, Caliban’s War, have their own merit, and their own joys, as soft space operas.