TOVE TROVE: Moomins

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In celebration of Tove Jansson’s 105 birthday on 9th August, we decided to join Paula Bardell-Hedley in her quest to revisit Tove Jansson’s books and art. Jansson was an accomplished writer and a professional artist, but her main legacy, which captured the hearts of young and old alike – remains within the covers of books describing the wonderful world of Moomins. While initially classified as children literature, the Moomin books and comics hold an everlasting appeal for readers of all ages.

This blog post, in a shorter and slightly altered version, previously appeared on Re-Enchantment on 31 March 2016.

 

I was enchanted by the Moomins a long, long time ago, and the enchantment still holds, even when I read the books in question aloud, infecting the curious minds of a next generation with these wise, infectiously joyful and nostalgic tales. We’re talking about books here, mind you – not that dreadful Japanese-European animated series, nor the gloomy Polish puppet animated show (although I still remember the Groke from this show – with a memory of lingering terrified fascination).

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Tove Jansson wanted to be a painter; she studied art in Sweden, Finland and France, and she painted intermittently throughout her life, both commissioned and private works. The images of the Moomins and the whole Moomin world were also created by her – apparently the prototype for Moomin was Jansson’s caricature of Immanuel Kant. She drew “the ugliest creature imaginable” on the toilet wall and named it Kant after she lost a discussion about the philosopher with her brother. Fortunately, the final image of the Moomin is much more friendly and blobby, with a big, round nose, a big, round belly, short, fat arms and legs, and a thin, slightly incongruous tail. Tove Jansson’s illustrations form the world of Moomins as much as the text – and they are in perfect harmony with each other.

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Ed McDonald, Crowfall (2019)

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Author: Ed McDonald

Title: Crowfall

Format: Paperback

Pages: 454

Crowfall is the final installment in Ed McDonald’s Raven’s Mark trilogy – though, to be fair, the ending does seem to imply a return to the broken world of Deep Kings, Nameless, and Misery. Where Blackwing was a powerful, riveting debut, and Ravencry even upped the ante, delivering one of the best middle books I’ve read, Crowfall concludes the story of Ryhalt Galharrow in a deeply satisfying way. That is not to say it is without its flaws, and you can count on me for detailing them all 😀

But first things first. Six years after the events of Ravencry we find Galharrow changed in more ways than one. Living alone out in the Misery, ruthlessly self-sufficient and accompanied by ghosts, Ryhalt is a man driven by a single purpose: to free the love of his life, Ezabeth Tanza, from the light she had been imprisoned in for the last decade – at all costs. At least that’s what he thinks – his friends and the patchwork family he’d created over the years seem to have a bit different conceptions of Galharrow’s impeding fate. And it is impeding indeed, for as Galharrow changed, the world around him was transformed even more. From the time of an event known as Crowfall, when thousands of carrion birds fell down the sky with burned out eyes, Dortmark became an even less pleasant place to live. Plagued by magical nastiness in various forms – from bloodthirsty, carnivorous geese to black rains bringing madness, to disappearance of color orange, and to Saplers – little mandrake-like creatures sapping the life-force from their hosts and slowly acquiring their hosts’ characteristics.

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Brian McClellan, Uncanny Collateral (2019)

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Author: Brian McClellan

Title: Uncanny Collateral

Format: epub

Pages: 96

It’s been some time since I’ve read a really new genre book… Now, I finally did, but, despite it being from one of my favourite young writers, I’m not very happy about it.
Brian McClellan is one of our favourite new authors, his Powder Mage universe – one we greatly appreciate. Great ideas, great characters, constantly improving writing. I’m yet to read his second Powder Mage trilogy, but it’s only because I’m certain I’ll like it and I’m saving it for later.
When I read in his newsletter he wrote a short urban fantasy novel, I was intrigued and immediately bought an epub (pdf and mobi included in the package). I read the first chapter that very day, two further ones during the next couple of weeks, and finished this very short thing only recently, during a flight. Why? Well…

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Mark Lawrence, One Word Kill (2019)

One Word Kill

Author: Mark Lawrence

Title: One Word Kill

Format: Hardcover

Pages: 204

One Word Kill, the first installment in the Impossible Times sequence and Lawrence’s first foray into a SF territory, came on the heels of his success with Book of Ancestor trilogy.  The book met with enthusiastic reviews and has been recommended by many fellow bloggers – Mogsy, Aaron and Drew, to name just a few. As I haven’t read anything by Lawrence, One Word Kill was suggested to me as a good entry point – and by now I can firmly attest to the popular conviction that Lawrence knows how to write. His writing skills are a thing to behold, especially in such a short novel as One Word Kill, where every word counts. It’s a mark of professionalism to spin an intriguing story, build a convincing world and create compelling characters within a couple hundred pages. As much as I would love to wholeheartedly recommend the book, however, I can’t. To borrow Bookstooge’s latest food metaphor, One Word Kill reminded me mostly of a solid fast food meal: it had all the necessary ingredients, maybe even chosen with care for their environmental impact and health benefits, it was very professionally made and quite substantial, but by no means was it a masterpiece or a sensory delight.

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Margaret Atwood, The Penelopiad (2005)

This will be a short one, written just before I’m going on vacation. But this 200 page novella was such a delight to read, I decided to write a quick post and schedule it for publication during my escapade. I’m actually somewhere in Apulia right now, don’t expect many comments from me until July 16 😉 (well, maybe some, I’m not going totally off the grid…).

Ok, time for formalities…

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Author: Margaret Atwood

Title: The Penelopiad

Format: Paperback

Pages: 199

From the author of The Handmaid’s Tale, I give you a short, very special re-telling of the Odyssey. Serious, but light, funny, but making a few pointed accusations and changing the moral of one of the best known stories mankind ever produced. A treat indeed!

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Ed McDonald, Ravencry (2018)

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Author: Ed McDonald

Title: Ravencry

Format: Hardcover

Pages: 414

In preparation for the upcoming conclusion to McDonald’s trilogy, Crowfall, I decided it was high time to share my thoughts about Ravencry, which I read back in February, right after I finished Blackwing. Talk about procrastination 😉

While Blackwing was a powerful new entry into gritty military fantasy, well-written, riveting and – what’s quite astounding – a debut, Ravencry was even better. With the world and main characters already established, McDonald focused more on character development and intrigue, introducing a much better fleshed-out – and truly creepy – villain, believable motivations, and delightfully raised stakes. All in all he succeeded in smoothing the rough edges of his original creation while keeping all the grimness, bravado and rakish charm I appreciated in Blackwing.

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Jay Kristoff, Nevernight (2016)

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Author: Jay Kristoff

Title: Nevernight

Format: Paperback

Pages: 464

Nevernight went through various blogs with a force of natural calamity, garnering a lot of praise for originality and vividness of the story despite what seemed like a very clichéd plot. When I saw Aaron’s glowing review at Swords and Spectres I decided to finally forgo my misgivings and give the book, constituting – not surprisingly – the first installment in Kristoff’s new series, a chance.

Boy, I wish I didn’t.

I was close to DNFing this book thrice. The first time happened on the first page, when the contrivance of the interlapping opening  scenes hit me like a hammer between the eyes. The second time happened within the first few chapters, when I was so fed up with the narrator’s dubious personality charm that I didn’t think I could take any more of his/her blathering. You undoubtedly know what I’m talking about, O, gentlefriend, if you’ve read the book. Third time should be the charm, alas, I powered through by sheer effort of will just to write a vitriolic review later on.

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