Author: Robert Holdstock
Title: The Fetch
Edition: Warner Books, Paperback
Robert Holdstock was a distinguished British writer whom I already reviewed once. His Mythago Woods is a great, if a bit rough, journey through the world of Celtic – and earlier – myths connected in a very real way to a modern (well, post-II WW anyway) world. Mythago… is a first part of the Ryhope Woods cycle, whereas The Fetch is a stand-alone novel, but we stay in the general area of myths, archetypes, and British countryside. But while the previous one was scary at times, Fetch could well be called a horror story. I could see it being adapted to the big screen (or Netlix 😉 ) as a classical horror with an Omen vibe (without Christian references).
Avengers: Endgame. Movie to conclude the major plot points of 21 movies, stories of multiple characters that took place throughout the galaxy. Thanos won part 1, but we just knew not all was lost. It would go against every rule off modern profitable film-making, and some of us read comics…
WARNING! There will be spoilers. The movie has been in cinemas for three weeks, so you had time enough to see it 😉 It will be our discussion on how successful it’s been in summing up the complicated history of MCU and opening avenues for new adventures.
Piotr: I’m a bit tired of my role of enthusiastic simpleton, yet I’ll start with a decisive yes. It was not a perfect movie, it was not the best Marvel movie, but it was a movie well suited to play its unique role within the MCU. Heroes ultimately won, but it wasn’t easy, and not without serious sacrifices. There were hilarious moments, spirit-rising speeches, epic battles – the final battle was, IMO, better than the one from Infinity War. Three hours, but I was not bored and could even stay in the cinema a little longer 😉
Ola: I am also quite tired of playing the unsmiling Dirty Harry to your Pollyanna, and yet I cannot endorse this movie. It is well-made, very professional and full of perfectly choreographed and rousing action scenes, but ultimately it remains empty, the promises of Infinity War for something deeper unrealized. I was intrigued and dismayed in turn, and what really killed my pleasure of enjoying this movie was the lack of internal coherence and logic. For a film that makes so much fun of Back to the Future it should really show a better alternative to time travel – and one that is not blithely disregarded half an hour later.
Author: Neal Asher
Having followed advice of the inestimable Bookstooge, I decided to embark on another bloody literary journey, but this time a decidedly hi-tech and futuristic one. Neal Asher’s Polity novels had been described as ‘a more action-packed Culture’, and it’s a description I find at once very apt and quite misleading ;). The world of Polity is indeed similar to Banks’s Culture in that it is an ever-expanding and galaxy-spanning political entity of humans inhabiting planets and space stations, all governed and kept together by extremely sophisticated AIs. The AIs have distinct personalities which are, as expected, highly logical and possessed of a worldview undoubtedly more affected by their computing skills than by any emotions, though they seem to feel them too – especially curiosity. In short, however you would slice it, they are not human. Their ascendance to the position of power in the human Polity has apparently been bloodless and quite benevolent, humans having realized that it’s ultimately for their own betterment – and that the other choice they have is definitely worse. The AIs act more like managers than dictators, quite content to improve the lives of Polity citizens and repel any possible threats. And there are threats aplenty, as on many worlds human populations hadn’t joined the Polity, mostly due to political differences (especially autocratic and religious regimes seemingly disapproving of the entire concept of Polity or even the existence of AIs). The major one is posed by Separatists, a loose coalition of terrorists, interest groups, or even governments happy to use Polity’s technology to bring about Polity’s demise, and they are a constant source of interest to ECS – the Earth Central Security agency, consisting mostly of human agents dealing with out-Polity threats.
Author: Edward Rickford
Title: The Serpent and the Eagle
*I received a copy of this book from the author in exchange for an honest review*
The Serpent and the Eagle is Edward Rickford’s debut, a first book in a planned trilogy about the Spanish conquest of the Mexica (Aztec) empire. The topic of Hernán Cortés’ bloody and ambitious subjugation of the biggest New World empire of the time is a very interesting one, and I was eager to read the fictionalized account of his endeavors, especially balanced, as was the case here, by the Mexica perspective.
If I were to describe The Serpent and the Eagle in one word, it would be “earnest”. It is indeed a very earnest book, a work of undeniable effort and knowledge, and a clear passion for the topic.
It’s been some time since we had a Marvel movie review 🙂 But in preparation for Avengers: Endgame we feel we need to review the most recent MCU production, Captain Marvel.
First things first, we’ve decided not to tackle the controversies concerning Brie Larson, the lead of the movie, and the fanbase, a huge part of which chose to get enraged. None of this serves the movie well, and we’d rather focus on the newest entry in MCU itself :).
Captain Marvel is a definitely smaller and less ambitious movie than the entirety of the Avengers franchise; in fact it’s one of quite a few origin stories Marvel has put on the screen through the years – from Iron Man (2008), Thor (2011) and Captain America: The First Avenger (2011) through Ant-Man (2015) and Doctor Strange (2016). We should probably also include Hulk (2003), at least from the chroniclers’ duty point of view, even if the majority of fans would prefer to forget it 😉 Captain Marvel also the first Marvel female-centered movie, despite fans’ ongoing pleas for a Black Widow flick. It is symptomatic, then, the the female superhero Marvel decided to depict in their response to the popularity of the Wonder Woman movie (2017) was a similarly beefed up, overpowered character of an ex-fighter pilot, who at the beginning of the movie remains an outside force not connected to Earth’s troubles or humanity, and whose main story arc revolves around the issue of getting involved and starting to care.
Ok, so here goes the very first re-post, as we decided to occasionally make our new readers see some of our early posts. This one is from 2015, one of the first after we decided to fully switch to English. It’s one of my favourite reviews of one of my favourite books. Nothing too add, I stand by what I wrote back then 🙂
Re-enchantment Of The World
Have you seen „The Sword in the Stone”? Nice Disney classic, „not much plot but great for little kids.” as an imdb reviewer noticed. I concur. It’s a nice watch, it’s deeper than most Disney movies even. But it’s just 10% of shiny stuff taken from the top of the novel that inspired it – the first part of “The Once and Future King” tetralogy by Terence Hanbury White.
A tetralogy consist of “The Sword in the Stone”, “The Queen of Air and Darkness”, “The Ill-Made Kinght” and “The Candle in the Wind”. There is also “The Book of Merlyn”, published posthumously, book that I prefer to pretend do not exist. They tell the story of king Arthur, from childhood to (spoiler alert) hist death in battle with Mordred.
The book is not for kids. There is humour and songs, just as in animated version, but it’s…
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Guy Gavriel Kay… a guy who helped Christopher Tolkien prepare Silmarillon for publication, and then started his own career as fantasy writer. He has his distinct style, he has his fans. I’m one of them, Ola isn’t. Just compare these two quotes from our reviews of Tigana:
A successful lawyer, a philosophy student who helped Christopher Tolkien in The Silmarillion edits, a reasonably well-known author of award-winning fantasy novels, Kay is a veritable jack of all trades. He prefers to set his novels in historical periods, but in imaginary settings, which allows him to create interesting parallels without the burden of fact-checking
Guy Gavriel Kay got his genre credentials early, when as a 20-year-old student he was chosen to help Christopher Tolkien edit Silmarillion. From my point of view – and I love Silmarillion – it’s like a rookie demi-god was asked to edit Bible. How to start your own religion after that? Kay paid homage to his tolkienian roots with excellent Fionavar Tapestry (1984-1986) and moved on to create his own blend of semi-historical fantasy epics. Starting with Tigana (1990). And since I started with religious vocabulary, let me say that I consider this blog’s May 3 review of Tigana a blasphemy