Just a few quick words in-between longer posts. As I’ve mentioned here and there, I’ve decided to do a big, complete Discworld re-read a couple of years ago. I’ve sped it up last year, went from Mort to The Amazing Maurice… and this year I’ve already listened to the Night Watch and The Wee Free Men to start The Monstrous Regiment only yesterday.
I love it! Even more, then the first time. And some books I read for the first time. I will sum it all up after I finish. But, it was not enough Pratchett. I’ve read his nonfics, and now I’ve also read his first novel (although in its re-written, later version), The Carpet People.
What a funny little book! I don’t know how much it’s changed from the original version – anybody here read that? – but it’s a great debut and clearly a work of a beautiful, brilliant mind.
The humour is already there, Pratchett’s satirical sense, his ability to show us an absurd fantasy world – and through this, the absurd of the one we created here on Earth. Sure, it was refined later on, but this book is nothing to be ashamed of.
Author: Tom King (writer), Mikel Janín (illustrations)
Where do I start? Maybe with the hype concerning Tom King as the new Wunderkid of DC Comics, one of the few authors who allegedly could take the post-Rebirth Batman and put some life into the character nearing its permanent retirement age (80 years next May!). Tom King’s approach was supposed to be ‘cerebral’, his stories realistic and full of suspense. Maybe some of them are – I am not to judge, since I’ve read only the one and I don’t intend reading any other. Because, in short, The War of Jokes and Riddles was a smelly pile of horseshit.
Let’s start with the art, because later on it will be one long rant. Art is mediocre at best, with Riddler inexplicably beefed up and Joker looking like a drawing of himself from some really bad old comics. Batman and Selina look correct if quite generic, and that’s probably the best I can say about them. The main problem I have with Janín‘s art is that it lacks dynamics, and the eyes of the characters seem dead. They make faces, all right, but nothing reaches their eyes. The panels depicting the war don’t really make much impact – they are there, and they show what happened. Maybe I’m spoiled by other artists, I tend to choose my comics carefully knowing there’s a lot of fluff and a lot of trash out there.
Author: Robert Holdstock
Title: Mythago Wood (Ryhope Wood #1)
Edition: Gollancz Fantasy Masterworks, Paperback
I love this series! Only one shelf now, but expanding…
Robert Paul Holdstock was a British s/f and fantasy writer best known for his Ryhope Woods sequence. Novels that draw inspiration from Celtic mythology and the classic tropes of fantasy to create something original and mysterious, but decidedly not hear-warming. Readers beware, magic comes at high cost here and every bit of happiness is accompanied by pain and loss.
One of the high points of the recent Witch Week was a discussion on Ursula Le Guin’s The Other Wind, the final Earthsea book. Inspired beyond our contribution to the comment section there, we decided to post this special two-shot review. Warning – there will be spoilers, there’s no point in avoiding that. This is a short novel, if you liked the previous ones, read it. If not, you will not like it, we promise…
Prószyński i S-ka published one of the beautiful editions of the Earthsea, with one weak point – lack of illustrations. Saga Press (Gollancz in UK and I have this version) published the ultimate illustrated edition, with great art by Charles Vess.
Piotrek: I love Le Guin and I consider her to be one of the giants of the genre, quite close to Tolkien on my personal Olympus. I was happy to re-read the final book before the Witch Week – originally I wanted to re-read the entire cycle, but I only found time to read Wizard and this. To my astonishment I realised I’ve never read The Other Wind before! Why? It was published in 2001, Polish translation in 2003, after my last re-read of the Earthsea. Between then and now I’ve read a few of the Hainish novels, Malafrena, and some other one-shots and short stories, even her poems, but I somehow missed The Other Wind. It was a great joy to read it now, as I really find it a worthy conclusion of the cycle and a very good read in its own rights. Some of the loose ends come together, some stories end, Le Guin neatly ties up the world we revisit for the last time (in a novel format).
Ola: I’ve read The Other Wind before – but as a much younger person 😉 It defied my expectations then; not that I thought Ged’s retirement to be a punishment, as some of the readers apparently believed, according to Le Guin – but his drastic (to my 15 years younger self, at least) change of role and status – as well as the limited amount of space he took in the book – was a definite surprise. This time I see much more clearly how deftly Le Guin altered his role from the original hero to the wise man and mentor aiding a new hero on his new journey, still keeping Ged within the heroic cycle. The cyclical nature of life is, after all, one of the main themes of the novel.
Author: Brian Azzarello (writer), J.G. Jones, Lee Bermejo (illustrations)
Title: Before Watchmen: Comedian/Rorschach
Thank gods for libraries! Because if I’d bought this, driven by nostalgia, authors’ fame, or some misplaced need for adventure, or a revisit of the universe before HBO’s TV series scheduled for next year, I’d have been furious. All right, I knew the Watchmen prequels were a shameless money grab, there was no doubt about it. But I also hoped for some kind of tribute, a homage, or a thoughtful reimagining of the ideas and social commentary presented by Moore and Gibbons in the story and characters from Watchmen.
Need I say more? I probably ought to 😉 So, first things first, Moore’s and Gibbons’ Watchmen are on my list of favorite graphic novels of all time. Gritty, subversive, digging deep into the American superhero mythos and collective identity, Watchmen became at once the grist and the mill of the pop culture, simultaneously giving it lasting imagery and the tools to analyze it. We should probably do a Two-shot post on Watchmen here at Re-Enchantment, but because our views on the work of Moore and Gibbons are very similar, there wouldn’t be much suspense or tension. We might only have some differences of opinion regarding certain characters and plot devices (the fated pirate story, ekhm…), but our overall reviews would be quite alike.
I have been circling around Before Watchmen for a while now, at first dismissing this idea as a blatant and ill-conceived effort to capitalize on Moore and Gibbons’ work – and DC’s already done more than enough bad things in this regard. However, when I saw the Comedian/Rorschach book in my local library, I decided to finally give it a chance and overcome my prejudice – after all, I thought, Azzarello of 100 Bullets and Batman fame wouldn’t butcher Moore’s ideas.
I couldn’t have been more wrong.
Author: Leigh Bardugo
Title: Shadow and Bone
After reading The Language of Thorns and finding it a light, well-written and quite entertaining read I decided to push my luck a bit and actually read the trilogy that The Language of Thorns is a spin-off of. I am not happy to say that I won’t be completing that task – the first installment of the series, Shadow and Bone, was more than enough for me.
Author: Leigh Bardugo
Title: The Language of Thorns: Midnight Tales and Dangerous Magic
A collection of fables set in Bardugo’s Grishaverse, The Language of Thorns first came to my attention through Trang’s review on Bookidote. As a novice to Bardugo’s writing, without any reading experience in Grishaverse, but with rather better knowledge in the areas of myth, fairy tale and fable, I can conclude that Language of Thorns is an inventive, pleasurable read, which pleases the eye as much as the mind, owing that to wonderful illustrations by Sara Kipin. Though it would certainly do better without the lengthy and slightly cheesy subtitle, I think I understand the sentiment, especially that this book is advertised to an audience slightly younger than me ;).