Author: Mark Lawrence
Title: One Word Kill
One Word Kill, the first installment in the Impossible Times sequence and Lawrence’s first foray into a SF territory, came on the heels of his success with Book of Ancestor trilogy. The book met with enthusiastic reviews and has been recommended by many fellow bloggers – Mogsy, Aaron and Drew, to name just a few. As I haven’t read anything by Lawrence, One Word Kill was suggested to me as a good entry point – and by now I can firmly attest to the popular conviction that Lawrence knows how to write. His writing skills are a thing to behold, especially in such a short novel as One Word Kill, where every word counts. It’s a mark of professionalism to spin an intriguing story, build a convincing world and create compelling characters within a couple hundred pages. As much as I would love to wholeheartedly recommend the book, however, I can’t. To borrow Bookstooge’s latest food metaphor, One Word Kill reminded me mostly of a solid fast food meal: it had all the necessary ingredients, maybe even chosen with care for their environmental impact and health benefits, it was very professionally made and quite substantial, but by no means was it a masterpiece or a sensory delight.
This will be a short one, written just before I’m going on vacation. But this 200 page novella was such a delight to read, I decided to write a quick post and schedule it for publication during my escapade. I’m actually somewhere in Apulia right now, don’t expect many comments from me until July 16 😉 (well, maybe some, I’m not going totally off the grid…).
Ok, time for formalities…
Author: Margaret Atwood
Title: The Penelopiad
From the author of The Handmaid’s Tale, I give you a short, very special re-telling of the Odyssey. Serious, but light, funny, but making a few pointed accusations and changing the moral of one of the best known stories mankind ever produced. A treat indeed!
Author: Ed McDonald
In preparation for the upcoming conclusion to McDonald’s trilogy, Crowfall, I decided it was high time to share my thoughts about Ravencry, which I read back in February, right after I finished Blackwing. Talk about procrastination 😉
While Blackwing was a powerful new entry into gritty military fantasy, well-written, riveting and – what’s quite astounding – a debut, Ravencry was even better. With the world and main characters already established, McDonald focused more on character development and intrigue, introducing a much better fleshed-out – and truly creepy – villain, believable motivations, and delightfully raised stakes. All in all he succeeded in smoothing the rough edges of his original creation while keeping all the grimness, bravado and rakish charm I appreciated in Blackwing.
Author: Jay Kristoff
Nevernight went through various blogs with a force of natural calamity, garnering a lot of praise for originality and vividness of the story despite what seemed like a very clichéd plot. When I saw Aaron’s glowing review at Swords and Spectres I decided to finally forgo my misgivings and give the book, constituting – not surprisingly – the first installment in Kristoff’s new series, a chance.
Boy, I wish I didn’t.
I was close to DNFing this book thrice. The first time happened on the first page, when the contrivance of the interlapping opening scenes hit me like a hammer between the eyes. The second time happened within the first few chapters, when I was so fed up with the narrator’s dubious personality charm that I didn’t think I could take any more of his/her blathering. You undoubtedly know what I’m talking about, O, gentlefriend, if you’ve read the book. Third time should be the charm, alas, I powered through by sheer effort of will just to write a vitriolic review later on.
Author: Robert Holdstock
Title: The Fetch
Edition: Warner Books, Paperback
Robert Holdstock was a distinguished British writer whom I already reviewed once. His Mythago Woods is a great, if a bit rough, journey through the world of Celtic – and earlier – myths connected in a very real way to a modern (well, post-II WW anyway) world. Mythago… is a first part of the Ryhope Woods cycle, whereas The Fetch is a stand-alone novel, but we stay in the general area of myths, archetypes, and British countryside. But while the previous one was scary at times, Fetch could well be called a horror story. I could see it being adapted to the big screen (or Netlix 😉 ) as a classical horror with an Omen vibe (without Christian references).
Avengers: Endgame. Movie to conclude the major plot points of 21 movies, stories of multiple characters that took place throughout the galaxy. Thanos won part 1, but we just knew not all was lost. It would go against every rule off modern profitable film-making, and some of us read comics…
WARNING! There will be spoilers. The movie has been in cinemas for three weeks, so you had time enough to see it 😉 It will be our discussion on how successful it’s been in summing up the complicated history of MCU and opening avenues for new adventures.
Piotr: I’m a bit tired of my role of enthusiastic simpleton, yet I’ll start with a decisive yes. It was not a perfect movie, it was not the best Marvel movie, but it was a movie well suited to play its unique role within the MCU. Heroes ultimately won, but it wasn’t easy, and not without serious sacrifices. There were hilarious moments, spirit-rising speeches, epic battles – the final battle was, IMO, better than the one from Infinity War. Three hours, but I was not bored and could even stay in the cinema a little longer 😉
Ola: I am also quite tired of playing the unsmiling Dirty Harry to your Pollyanna, and yet I cannot endorse this movie. It is well-made, very professional and full of perfectly choreographed and rousing action scenes, but ultimately it remains empty, the promises of Infinity War for something deeper unrealized. I was intrigued and dismayed in turn, and what really killed my pleasure of enjoying this movie was the lack of internal coherence and logic. For a film that makes so much fun of Back to the Future it should really show a better alternative to time travel – and one that is not blithely disregarded half an hour later.
Author: Neal Asher
Having followed advice of the inestimable Bookstooge, I decided to embark on another bloody literary journey, but this time a decidedly hi-tech and futuristic one. Neal Asher’s Polity novels had been described as ‘a more action-packed Culture’, and it’s a description I find at once very apt and quite misleading ;). The world of Polity is indeed similar to Banks’s Culture in that it is an ever-expanding and galaxy-spanning political entity of humans inhabiting planets and space stations, all governed and kept together by extremely sophisticated AIs. The AIs have distinct personalities which are, as expected, highly logical and possessed of a worldview undoubtedly more affected by their computing skills than by any emotions, though they seem to feel them too – especially curiosity. In short, however you would slice it, they are not human. Their ascendance to the position of power in the human Polity has apparently been bloodless and quite benevolent, humans having realized that it’s ultimately for their own betterment – and that the other choice they have is definitely worse. The AIs act more like managers than dictators, quite content to improve the lives of Polity citizens and repel any possible threats. And there are threats aplenty, as on many worlds human populations hadn’t joined the Polity, mostly due to political differences (especially autocratic and religious regimes seemingly disapproving of the entire concept of Polity or even the existence of AIs). The major one is posed by Separatists, a loose coalition of terrorists, interest groups, or even governments happy to use Polity’s technology to bring about Polity’s demise, and they are a constant source of interest to ECS – the Earth Central Security agency, consisting mostly of human agents dealing with out-Polity threats.