House of Cards

I had a discussion recently about the “book was better” trope. It usually is, I believe. But, as a contrarian, I like to find exceptions to every rule, even one I believe in.
Long before Netflix ordered the American version of “House of Cards”, I believed HoC to be such an example, contradicting this particular rule. British HoC is listed among my favourite shows of all time, while I just couldn’t bring myself to love the novels, even if the first one predates its tv adaptation.
So – I decided to re-post my thoughts on the topic. I still haven’t seen the last season of the Netflix show, and I don’t think I ever will. Regardless of the crimes of Kevin Spacey, it was too long and nowhere near as god as the original version. I want to remember how good it began and not spoil my impressions by seeing its progressing deterioration. I’d rather re-watch Sir Ian Richardson’s Shakespearean prime minister.
In a time of Prime Minister Boris Johnson, Urquhart is perhaps an unattainable dream 😉

Re-enchantment Of The World

No, not that:house-of-cards-kevin-spaceyAlthough I’m very happy that I could binge-watch it now, in Poland, on the day of release, on Netflix, like a normal human being, not one episode a week on… what was it called, television?

Not even that:

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Although I believe it’s a superior product. Kevin Spacey is excellent, but Ian Richardson is great. Shakespearean villain, veteran of political system even more ruthless than the one we know from the American version, Francis Urquhart would outmanoeuvre Frank Underwood before breakfast. And then Underwood would remind him that UK is a pygmy next to the world’s biggest superpower. Realpolitik is a tough business.

Actually I’d love to see a series where Urquhart/Underwood had to cooperate, sort of evil version of Roosevelt/Churchill duo. Magnificent bastards both of them…

Anyway.

Ladies and gentlemen, today I give you this:

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Michel Dobbs, House of Cards (1989)

or

the book…

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Erin Morgenstern, The Night Circus (2011)

Only third post this month and a re-post again. The first one had been planned for some time, to start the series and encourage our new readers to reach deeper into Re-E’s archives 😉 Today I’m commenting on a book that Ola reviewed over four years ago, and I’ve only just read. Next week – we will, hopefully, finish our post on Captain Marvel, just before the Avengers: Endgame premieres.

The Night Circus was quite popular a few years ago, with awards and positive reviews and a beautiful cover. Reviews vary in tone (but it still has a great 4.04 Goodreads average with 564K ratings and 62K reviews!), cover still looks great.

Why not a counter-review? Because in many ways I agree with Ola. I just like it a great deal more 😉

I agree that the book is in many ways an exercise in style. Imagination, attention to detail, well thought-through structure, poetry and elegance – all there. Slow pacing, not much happening, romance too easy, ending perhaps a bit too happy (there were victims along the way, I don’t think that’s too spoilery…) – yes, I agree.

It’s just that I like to occasionally read a book like that. I was in the mood and Morgenstern delivered what I needed – a diamond polished perhaps too much, but shining. The book reminded me a bit of Jonathan Strange & Mr Norrell, but it lacked the humour of Clarke’s masterpiece. My score for The Night Circus? 7.5, actually only a point more than it got from Ola 😉

And I’ll add one long quote, nothing too original, and definitely naive, but I liked it, and it will also serve as a sample of Morgentern’s style:

Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, (…) and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with his prey.”

(…) “But wouldn’t that mean there were never any simple tales at all?”

Re-enchantment Of The World

the-night-circusOoops, I’m late again! 😉 To make up for it, this time I will write a shorter review than usual ;). The Night Circus is a debut novel of Erin Morgenstern – and her only book to date. This novel won Locus Award in 2012 and acclaim of many critics and readers alike. And left me with a feeling of pointlessness of it all.

The book starts with a description of a circus. Or, rather, of THE circus, the ultimate circus there could ever been. Le Cirque des Rêves opens only at night. It is black and white, it consists of multiple tents and booths arrayed in a series of circles connected by winding alleys. It is circular, looping and continuous, and feeding on itself. A place of innumerable wonders, constant surprises, awe-inspiring performances – and a few mysteries. It shows up unheralded, it disappears unannounced – but when it’s…

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T.H. White, The Once and Future King (1938-58)

Ok, so here goes the very first re-post, as we decided to occasionally make our new readers see some of our early posts. This one is from 2015, one of the first after we decided to fully switch to English. It’s one of my favourite reviews of one of my favourite books. Nothing too add, I stand by what I wrote back then 🙂

Re-enchantment Of The World

Have you seen „The Sword in the Stone”? Nice Disney classic, „not much plot but great for little kids.” as an imdb reviewer noticed. I concur. It’s a nice watch, it’s deeper than most Disney movies even. But it’s just 10% of shiny stuff taken from the top of the novel that inspired it – the first part of “The Once and Future King” tetralogy by Terence Hanbury White.

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A tetralogy consist of “The Sword in the Stone”, “The Queen of Air and Darkness”, “The Ill-Made Kinght” and “The Candle in the Wind”. There is also “The Book of Merlyn”, published posthumously, book that I prefer to pretend do not exist. They tell the story of king Arthur, from childhood to (spoiler alert) hist death in battle with Mordred.

The book is not for kids. There is humour and songs, just as in animated version, but it’s…

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