The unstoppable force behind Marvel, the person responsible for putting the “hero” into “superhero”, transforming the erstwhile walking cardboards with ten commandments written on them into human (or godly) beings, full of foibles, insecurities and vices, but at the same time always striving to become better and to do better.
Lee as few others understood the human need for telling stories, for heroes, and for heroic journeys. He was the \co-creator of Spider-Man, the Mighty Thor, Iron Man, the X-Men, Doctor Strange, the Fantastic Four, the Incredible Hulk, Daredevil, Black Panther, and Ant-Man – as well as many other superhero characters. He was also a tireless advocate of introducing comic superheroes to the wider public, and his efforts brought us the wonderful recent Marvel superhero movie onslaught, irrevocably changing the comics’ place and magnifying their significance in pop-culture.
Piotrek: I’ve re-watched the first Captain America today with my Dad and the usual Stan Lee cameo made me smile. How many more did they manage to prepare? Probably just Captain Marvel and the second Infinity War movie…
Ola: Apparently all 2019 Marvel movies will have Stan Lee cameo. It’s become such a feature of the Marvel movies that it’s difficult to imagine a movie without his appearance 😉 As John Romita put it in one of his interviews,
He’s a con man, but he did deliver.
He was one of the rare giants that transform their chosen field irrevocably – a facilitator, a face, an moving force behind the scenes, an impresario. He led a full, adventurous life that brought us much joy and inspiration.
The Witcher! Monster-slaying character from computer games, soon to be made into a Netflix series starring Henry Cavill… but, also, as more and more people in the English-speaking world begin to realise, a book series by Andrzej Sapkowski. Well, actually, as some of you might be aware, the books predate games by almost two decades. The Witcher saga, which gave Sapkowski World Fantasy Award (Lifetime Achievement, 2016) and Gemmell (2009), is finally fully translated into the language of Shakespeare, so it’s a good time to check it out before we get a chance to see the Netflix adaptation. One of the reasons it’s worth your time – and a good topic to discuss during Witch Week – is a multitude of female characters. Many of them are strong women, active, and extremely important for the plot, which is set in a realistic European-medieval fantasy world where gender balance is a bit more equal than in our history, and not only due to the existence of powerful sorceresses. And that is what we want to discuss today, for the general review of the series we invite you to go here. We will try to keep the text spoiler-free, at least in regards to the major events, as our opinions about major characters will be visibly informed by our knowledge of their actions and fate.
As Halloween is coming, and with it all things magical and scary, it’s high time for some Samhain-related content! Lizzie at lizzierosswriter.com and Chris at Calmgrove were so kind to invite us to participate in a yearly blogging event, Witch Week – many thanks to both of you! This year the event runs from 30th October to 6th November and thus, besides Halloween, includes also Guy Fawkes Day :).
This year’s theme is Fantasy and Feminism, and we at Re-enchantment decided that it’s a wonderful opportunity to take a closer look at the female characters in the world of Witcher. As you know, we’re both fans of Sapkowski’s saga, and we’re eagerly awaiting Netflix’s adaptation of his books to the small screen, hoping it to be more along the lines of HBO’s The Game of Thrones or the universally acclaimed games than the previous, horrible Polish adaptation.
Cool posts will be appearing throughout the week on both Chris’s and Lizzie’s sites, so don’t forget to visit 🙂 Our own discussion is scheduled to appear on November 2nd, and will be re-posted here on Re-enchantment a few days later in a director’s cut 😉 It shouldn’t come as a surprise, really, that our post was originally too long to appear in its entirety during the Witch Week event – we always write loooooooooong posts, especially the results of our discussions are lengthy, as each of us wants to have the last word 😉 But if after Witch Week you still are interested in the full effects of our collaboration, you’ll be able to read them here :).
There is now a Polish movie being played in cinemas, in my country and throughout Europe. There are over 200 screenings planned in the UK alone (beginning today!), and that’s a lot for a Polish movie, our pictures rarely go beyond niche festivals. Tickets are mostly bought out by my compatriots living abroad, but they are not its whole audience.
Well, the title is Kler (our word for ‘the clergy’). Specifically, in the Polish context, the catholic clergy. Catholicism is the default option here. Not just as a religion. To a large extent, especially outside large cities, it’s the foundation of social life and a powerful political and economic force.
In the days when diocese after diocese goes bankrupt trying to pay off the victims of their functionaries’ abuse and, in Chile, the entire bishopryepiscopate submits resignations, there are not enough movies about the issue. Spotlight was very good, and certainly educational, Calvary show how a catholic country might look after the problem is largely processed. Clergy is about Church militant, unapologetic and intertwined with the state as close, as the Irish one during the heights of its power.
Quite a big part of the enjoyment I get from genre fiction, books, movies and often even music, is when I discover the connections and inspiration. It’ a very rewarding experience, and the motivation behind my ongoing project to familiarise myself with the great classics of fantasy and s/f. It’s great, but it is also quite hermetic. It’s hard to discuss such things with the uninitiated. I find it easier to devise long term plans to hook my nieces on genre than to recommend something to a mature reader/viewer who might be open to some light genre.
Lets make make it purely technical, not about the importance of keeping an open mind and appreciating people with other hobbies, different cultural needs etc. 😉 It’s going to be strictly about the titles and techniques helpful to hook people on our stuff!
We’re also talking strictly adults here (and I mean mature readers, not necessarily readers over 18). Getting kids to enjoy genre is a different topic, something easier in my experience, and quite wonderful, but not what I want to explore today.
I’ve read Sapiens by Harari recently, and it rekindled my interest in the earliest history of our species. Shortly after that, a review of Kim Stanley Robinson’s Shaman on Weighing a pig doesn’t fatten it led to me reading that novel and I was very happy it did. Robinson managed to create a believable impression of the culture of people who lived long before anything could be written down. Scientists use the pieces they find to speculate and search the furthest corners of the world for tribes that continue to live the lives of hunter-gatherers… but only a novelist can make me feel a sense of connection with people from so long ago!
In the discussion below his review, Bart mentioned William Golding’s The Inheritors as one of the sources of Robinson’s inspiration, and I was curious. Golding is one of my favourite writers, Lord of the Flies one of the books that influenced me the most. He left his mark on how I think about the nature of evil, its presence in society and individual, the fragility of civilization, and of religion. I’m slightly less pessimistic on these issues now, but I hold Golding in high esteem.
Summer continues, I’m actually starting my vacation tomorrow afternoon, and it’s going to be 2,5 weeks! But blogging requires some regularity, and so I decided to write a few words about a very special book. Terry Pratchett is a very special author, one I’ve been reading for over 20 years. I’m now in the middle (at book 16, to be precise) of the systematic re-read of the entire Discworld and I appreciate him even more.
I prefer to learn about writers’ ideas through their novels, but Pratchett is important enough to me, and his untimely demise started my slow – and now accelerating – re-read of his books, and motivated me to learn more about the man himself. There is a very moving documentary from BBC, Terry Pratchett: Back in Black, the story of his life featuring Pratchett just before Alzheimer took him, a master of language struggling with simple words, but still a powerful, wise figure. He says, at the beginning:
They say your life flashes in front of your eyes before you die.
This is true. It’s called living. But nobody’s really dead until all the ripples they have created on Earth have completely died away, so as long as my words and my stories are still sploshing around the planet, there’s life in the old dog yet.