This will be a short one, written just before I’m going on vacation. But this 200 page novella was such a delight to read, I decided to write a quick post and schedule it for publication during my escapade. I’m actually somewhere in Apulia right now, don’t expect many comments from me until July 16 😉 (well, maybe some, I’m not going totally off the grid…).
Ok, time for formalities…
Author: Margaret Atwood
Title: The Penelopiad
From the author of The Handmaid’s Tale, I give you a short, very special re-telling of the Odyssey. Serious, but light, funny, but making a few pointed accusations and changing the moral of one of the best known stories mankind ever produced. A treat indeed!
Piotrek: The fifth one, huh? Well, this time we have a real treasure. We debated for a while, if it can be counted as one of the Nostalgia Posts, and decided that yes, why not? After all, we’ve been reading Pratchett most of our lives, and we feel pretty nostalgic about both the author and his works. Well, one difference between that and all the others – there isn’t a large gap between our first childhood encounters with Sir Terry and recent re-reads. Me, at least, I would read a Discworld novel or two at least every once in a few years.
Robert Holdstock was a distinguished British writer whom I already reviewed once. His Mythago Woods is a great, if a bit rough, journey through the world of Celtic – and earlier – myths connected in a very real way to a modern (well, post-II WW anyway) world. Mythago… is a first part of the Ryhope Woods cycle, whereas The Fetch is a stand-alone novel, but we stay in the general area of myths, archetypes, and British countryside. But while the previous one was scary at times, Fetch could well be called a horror story. I could see it being adapted to the big screen (or Netlix 😉 ) as a classical horror with an Omen vibe (without Christian references).
It’s been over a week since we all saw the final episode of the TV series of the decade, and we had time enough to calmly discuss how we feel about it. We’re not too impressed by the last season, but mostly happy with how the story ended. What resulted from that is a short, story-focused two-shot.
Piotrek: Season 8 has some fans, but it’s been widely criticized, not only on the social media and genre pages, but also in such venerable papers as The Guardian and Polityka. There’s a petition on change.org, with 1.5 million supporters, to remake the entire season! And even if I’m not ready to go that far, I’m not happy with these 6 episodes. The Benioff/Weiss duo stumbled when they had no more source material to refer to, and now they simply failed. Good things were inherited from earlier years, or clearly part of the general outline they got years ago from GRRM, but how did they go to the endpoint? With a story clearly rushed, full of plot-holes and characters going against their nature.
Wimpy Jon, foolish Tyrion, passive Cersei… Dany suddenly losing her mind just because that’s what was needed for the final confrontation. GoT stopped developing organically, around its many strong protagonists, and started running a short hurdle race, to quickly tick off all the major plot points.
Ola: Agreed. Benioff and Weiss knew their destination, but not the road to it. They chose too many shortcuts along the way, and even though I can relate to the problems of such a big and lengthy production, spanning a decade, and I understand why the mechanisms of group thinking might have entered into this situation, so bound up in secrecy and the necessity to keep the story development to a very limited team of people, I still think it all had a detrimental effect which could have been easily avoided.
Avengers: Endgame. Movie to conclude the major plot points of 21 movies, stories of multiple characters that took place throughout the galaxy. Thanos won part 1, but we just knew not all was lost. It would go against every rule off modern profitable film-making, and some of us read comics…
WARNING! There will be spoilers. The movie has been in cinemas for three weeks, so you had time enough to see it 😉 It will be our discussion on how successful it’s been in summing up the complicated history of MCU and opening avenues for new adventures.
Piotr: I’m a bit tired of my role of enthusiastic simpleton, yet I’ll start with a decisive yes. It was not a perfect movie, it was not the best Marvel movie, but it was a movie well suited to play its unique role within the MCU. Heroes ultimately won, but it wasn’t easy, and not without serious sacrifices. There were hilarious moments, spirit-rising speeches, epic battles – the final battle was, IMO, better than the one from Infinity War. Three hours, but I was not bored and could even stay in the cinema a little longer 😉
Ola: I am also quite tired of playing the unsmiling Dirty Harry to your Pollyanna, and yet I cannot endorse this movie. It is well-made, very professional and full of perfectly choreographed and rousing action scenes, but ultimately it remains empty, the promises of Infinity War for something deeper unrealized. I was intrigued and dismayed in turn, and what really killed my pleasure of enjoying this movie was the lack of internal coherence and logic. For a film that makes so much fun of Back to the Future it should really show a better alternative to time travel – and one that is not blithely disregarded half an hour later.
Ola: That’s the way fairy tales start. Once upon a time, beyond tall mountains and vast rivers, a mysterious hero was born who had changed the fate of his tribe/community/nation/humankind. Led by fate, S/He had many dangerous and tasking adventures, had to overcome many deadly foes, traps and tests in order to come back to Her/His home with a great boon of miraculous nature and redeem Her/His people.
Nothing original, really, especially considering the fact that George Lucas’s creation of his famous saga had been significantly inspired by Joseph’s Campbell The Hero with a Thousand Faces. The theory that most of the world myths conform to one, simple pattern modeled on the rites of initiation is as suggestive as is ultimately misleading – and yet Lucas in his creation of Star Wars universe managed to strike a chord with millions of people worldwide, envisioning a world like – and yet unlike – ours, just exponentially bigger and vivid.
Starships! Knights! Droids! Magic! Princesses! Scoundrels with hearts of gold! Vile emperors! Cuddly little creatures! Breathtaking vistas of planets and space! It’s all there, and more – and everything is suffused by Force, a mana-like, magical power binding every living thing in a net of awareness.
Piotrek: It is a simple story, of a young man going from zero to a hero, discovering his heritage and coming to his power. A story like countless others, but in space.
Not a very realistic space, there aren’t that many attempts to pretend that, it is not hard science fiction that would try to propose a likely vision of space-travelling humanity of the future. This story takes place long ago, like the stories of Gilgamesh or Theseus, and takes a structure immediately familiar to audience from any cultural background.
Campbell is an obvious inspiration, and that’s something Lucas freely admits.
It’s been some time since we had a Marvel movie review 🙂 But in preparation for Avengers: Endgame we feel we need to review the most recent MCU production, Captain Marvel.
First things first, we’ve decided not to tackle the controversies concerning Brie Larson, the lead of the movie, and the fanbase, a huge part of which chose to get enraged. None of this serves the movie well, and we’d rather focus on the newest entry in MCU itself :).
Captain Marvel is a definitely smaller and less ambitious movie than the entirety of the Avengers franchise; in fact it’s one of quite a few origin stories Marvel has put on the screen through the years – from Iron Man (2008), Thor (2011) and Captain America: The First Avenger (2011) through Ant-Man (2015) and Doctor Strange (2016). We should probably also include Hulk (2003), at least from the chroniclers’ duty point of view, even if the majority of fans would prefer to forget it 😉 Captain Marvel also the first Marvel female-centered movie, despite fans’ ongoing pleas for a Black Widow flick. It is symptomatic, then, the the female superhero Marvel decided to depict in their response to the popularity of the Wonder Woman movie (2017) was a similarly beefed up, overpowered character of an ex-fighter pilot, who at the beginning of the movie remains an outside force not connected to Earth’s troubles or humanity, and whose main story arc revolves around the issue of getting involved and starting to care.