R.J. Barker, The Bone Ships (2019)

The Bone Ships

Author: R.J. Barker

Title: The Bone Ships

Format: Hardcover

Pages: 512

Series: The Tide Child #1

This is a book I’ve been alluding to in our posts for a while now – not surprisingly, since I read it in early December last year 😉 But I find I have a long period of book digestion – let’s call it rumination, and imagine the slow process of cellulose being turned into energy in the many stomachs of certain animals… 😀

I knew from the beginning how I would start this particular review, however. Here goes! 😉

Some authors are known for writing one book for their whole lives. The characters’ names change, the setting differs, the plot varies every time, but one crucial thing stays always the same – be it a topic especially close to the author’s heart, a crucial relationship, explored time and again it its various incarnations, or certain character traits, a mythical connection, or even a worldview, appearing unannounced here and there in every book. R.J. Barker seems to fit this category admirably – building complex, nuanced worlds and populating them with believable characters, who nevertheless remain familiar to the readers of his previous books.

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The Wanderlust Book Tag

It’s been some time, actually, since we did a book tag. As we were recently tagged by the wonderful Orangutan Librarian with The Wanderlust Book Tag we decided to do one now 🙂 It looks very interesting, especially as one of us starts thinking about this year’s travelling plans, and the other is just finishing their holidays… 😀

First, Rules of Engagement:

  • Mention the creator of the tag and link back to original post [Alexandra @ Reading by Starlight]
  • Thank the blogger who tagged you – thanks, Orangutan Librarian! This one’s fun!
  • Answer the 10 questions below using any genre
  • Tag 5+ friends

and now,

the questions:

1. Secrets and lies: a book set in a sleepy small town

Ola: James Lovegrove’s Sherlock Holmes and the Christmas Demon is a really nice example of the “cozy mystery” genre, full of nods in all the important directions, and yet still holding up commendably on its own.

Piotrek: Winter Rose by Patricia McKillip takes place in a sleepy village, but there are secrets and lies in a small community, and getting to the hard truth is the key to success of our protagonist.

2. Salt and sand: a book with a beach-side community

Piotrek: H.P. Lovecraft, The Shadow Over Innsmouth. I don’t remember if there was an actual beach, but definitely a sea-side community of sorts is the central part of the story 🙂 No the perfect seaside for you summer vacation, mind you. Re-reading Lovecraft is one of the great many things I need to do!

Ola: Zoe Gilbert’s Folk is definitely a book that stays with the reader long after the covers are shut. I was deeply impressed by the maturity and melody of her writing voice, and more than a bit appalled by the ferocious abuse visited by her on Folk’s protagonists – the violent fantasy clad in the everyday reality of a small beach-side community, hidden in gorse bushes and suspended indefinitely somewhere between the eighteenth and early twentieth century. Thanks to Bookforager for putting this one on my radar!

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Neal Asher, The Line of Polity (2003)

The Line of Polity

Author: Neal Asher

Title: The Line of Polity

Format: Paperback

Pages: 485

Series: Agent Cormac 2

This review was promised in our summary post for 2019, so I actually twisted my right arm with my left to sit down and write it in the middle of sunny summer ;).

Having reviewed both the first installment, Gridlinked, and the third installment, Brass Man, I’m in a bit of a pickle when it comes to choosing the content for this entry. Probably, it would be sufficient to say that The Line of Polity was the book that thoroughly and inevitably sold me on Asher’s Polity universe, and even if I don’t agree with all the political and ideological views of the author, I plan to remain a devoted fan.

Polity is not as pleasant and safe place as Banks’ Culture, nor is it as boring ;). The immense and mind-bogglingly diverse universe (..and I’m sure I could find another -verse fitting here :P) containing Polity, the human society ruled by nearly omniscient AIs, is a wonderful treat for all SF fans. But Asher goes further than just worldbuilding, however impeccable: he creates a world alive – rife with conflict, ambitions, and emotions, not only human, but also AI. And for a series featuring amazing battle sequences, both in the space and on the ground, Asher spends a lot of time considering the sentience. True, his AIs are very human, but reading Polity books I have a feeling they are this way by design, and not simple lack of thought or convenience. After all, they have been created by humans, influenced by the constant contact with humans, and, in a world where alien sentient races are considered more of a myth or a cautionary tale from the past than reality, AIs remain in a direct relation to humans. This relation can morph into a myriad different constellations: a mirror image, a role model, a dependent, spoiled child, a doted-upon prodigy, a master, an apprentice, a pest, a threat, a hobby… Asher deftly shows the variety of responses possible between sentient beings, each of which has something the other doesn’t possess, and subtly incorporates them into his tightly woven narrative.

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Moving Pictures Roundup 2019

We discussed books highlights of 2019, now it’s time for movies and TV-series. A few of the favourites and a few of the disappointments in both categories, to round up the past year in media :).

Ola’s choices

I haven’t had much time for movies and series. I’ve watched a nice mix of old and new, and enjoyed quite many of them – though only few made a lasting impression. The absolute winner in this category is…

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Bookish High Fives of 2019

As promised, a post highligting our best reading experiences of the past year 🙂 Though originally we wanted to limit the best to top five, it turned out to be more difficult than expected – so the title should be treated more metaphorically than literally 😉

Piotrek: I wanted to title the post “year in genre”, but I moved a bit from genre this year… our post summing up year 2019 grew too big, so we decided to split it and tell about our reading and watching in a separate one.

I will start, as in our previous post, with some stats, and Goodreads was kind enough to prepare a Piotr’s Year in Books presentation. 79 books read (it’s 81, actually, already, but the stats are not updating fast enough 😛 ) – not as many as in previous years, but, well, life happens. Still not a bad result, and what’s interesting is not the amount, but the composition. And there were some interesting changes in what books I was reading in 2019. Not a radical change, but a slight move in non-genre direction. I’ve read more non-genre lit and non-fiction than I tended to, this decade. Mostly Polish stuff, but it included this year’s Nobel Prize laureate, Olga Tokarczuk. Highly recommended, and there’s even a movie. Her Nobel Lecture is powerful, and beautiful, audio and text available here. Just one quote, but she touches many topics in a very interesting way…

I think we have a redefinition ahead of us of what we understand nowadays by the concept of realism, and a search for a new one that would allow us to go beyond the limits of our ego and penetrate the glass screen through which we see the world. Because these days the need for reality is served by the media, social networking sites, and indirect relationships on the internet. Perhaps what inevitably lies ahead of us is a sort of neo-surrealism, some rearranged points of view that won’t be afraid to stand up to a paradox, and will go against the grain when it comes to the simple order of cause-and-effect. Indeed, our reality has already become surreal. I am also sure that many stories require rewriting in our new intellectual contexts, taking their inspiration from new scientific theories. But I find it equally important to make constant reference to myth and to the entire human imaginarium. Returning to the compact structures of mythology could bring a sense of stability within the lack of specificity in which we are living nowadays. I believe that myths are the building material for our psyche, and we cannot possibly ignore them (at most we might be unaware of their influence).

I’m going to read more Tokarczuk in the future, that’s for sure! But well, that’s Tokarczuk, what about my reading in 2019? It’s been marked by the finishing of my great Discworld re-read. And then I’ve re-read The Trilogy (Tolkien). Both were, in different ways, as good as I remembered them. I’ve also re-read American Gods, while visiting America for work, and it was also a great experience. I will continue to re-read more, there are too many new books published all the time, I will not read them all anyway, and every encounter with my favourites brings so much joy and new observations!

Ola: As a Goodreads non-user, I base my stats on an old good Excel file – which doesn’t show all the nice pics, but is just as reliable (meaning – ultimately only as reliable as my own entries ;)). So, in the end, I know my list is not complete, as I tend to omit the less memorable comics, and usually forget to include audiobooks (there aren’t many of them, only 3 or 4 a year, and I did my best to count them here ;)). All in all, I have managed to read (and record that I have indeed read) 92 books this year, and started but haven’t finished, 2 more. With all the comics I haven’t included, I’ve probably reached the magic number 100.

Of the books I have read this year, 10 were non-fiction, 5 – literary fiction, 4 – re-reads, and 18 – comic books, two of which were beautiful hardcover Hellboy omnibuses (no, I don’t own them, the library does, but oh, I do wish I did!). No books by Polish authors, though – and only four translated to Polish. The price of living abroad, I guess – I got out of sync with Polish literature. Nevertheless, my copy of Tokarczuk’s Księgi Jakubowe will be with me soon  😉

Piotrek: I will limit myself to books read in 2019 for the first time. My top 5 – favourite novels, not ranked, as they are too different for direct comparisons, and a few words about my non-fiction readings.

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Re-Enchanted 2019

Another year is coming to an end, fifth year of our blogging adventure – hard to believe! Nice pretext for some stats, recapitulations, general musings. Something that can be written during the short brakes in cleaning and baking, and family reunions 😉

Piotrek: It’s been a very interesting year, both for the Re-E, and in my reading life. My TV/movie watching patterns have changed, perhaps because now I have to negotiate such things… I even have a Christmas Tree at home, for the first time since I moved out of my parents’…

IMG_20191217_221119_BURST1-ANIMATION

I even like it 🙂

Ola: It’s also pretty interesting overseas, with summer in full swing. Christmas on the beach is quite unusual, but very pleasant, and a deal more sporty than in wintry cold of Mitteleuropa 😉 The Christmas tree this year is rather small, but pohutukawas are blooming, and the waves are good!

Whatipu

Whatipu beach

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Joe Abercrombie, Red Country (2012)

red-country

Author: Joe Abercrombie

Title: Red Country

Format: Hardcover

Pages: 451

Series: First Law World #6

Abercrombie’s Red Country is in many aspects a continuation of the First Law Trilogy, the review of which was incidentally one of our first Two-shots. After all, Logen Ninefingers, known in the North as Bloody-Nine, is one of the main protagonists of this bloody fantasy western. And if that comes as a spoiler… Well, it’s on the back of the freaking cover, so we don’t count it as a spoiler – though probably some of the book characters would disagree 😀

In many other aspects, however, it’s as standalone as Abercrombie’s novels go: it takes place in a fundamentally different part of the First Law world, on the very frontier of the Western continent, Far Country. This part of the world is no more peaceful than Angland or Styria: torn by gold fever, hostile encounters with elusive aboriginal people called Ghosts, and inhabited by the shattered dreams of people who ran away from their past, hoping for a new opening, Far Country only seems serene from far away. But its biggest selling point, especially for the Lamb, was the pronounced lack of Bayaz.

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