Kler / Clergy (2018)

There is now a Polish movie being played in cinemas, in my country and throughout Europe. There are over 200 screenings planned in the UK alone (beginning today!), and that’s a lot for a Polish movie, our pictures rarely go beyond niche festivals. Tickets are mostly bought out by my compatriots living abroad, but they are not its whole audience.

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Well, the title is Kler (our word for ‘the clergy’). Specifically, in the Polish context, the catholic clergy. Catholicism is the default option here. Not just as a religion. To a large extent, especially outside large cities, it’s the foundation of social life and a powerful political and economic force.

In the days when diocese after diocese goes bankrupt trying to pay off the victims of their functionaries’ abuse and, in Chile, the entire bishopry episcopate submits resignations, there are not enough movies about the issue. Spotlight was very good, and certainly educational, Calvary show how a catholic country might look after the problem is largely processed. Clergy is about Church militant, unapologetic and intertwined with the state as close, as the Irish one during the heights of its power.

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The Sunshine Blogger Award

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As you can see, Re-enchantment got its first blogging award 😉 Big thanks to bookorbit for the nomination!

Rules:

1. Thank the blogger who nominated you in a blog post and link back to their blog.
2. Answer the 11 questions the blogger asked you.
3. Nominate 11 new blogs to receive the award and write them 11 new questions.
4. List the rules and display the sunshine blogger award logo in your post/or on your blog.

I received only one question, thankfully, so I will answer it and then proceed in bending the rules even further 😉

What’s your favourite movie of all time?

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Deadpool 2 (2018)

And… it’s another Marvel Movie Review (albeit the previous one was from a different studio). What can we say, they hit cinemas about as often as westerns used to in the olden times, and when we add various TV series…

But it’s ok, ’cause it’s freakin DEADPOOL!

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Deadpool 2, to be precise.

We attended a mini-marathon that featured both, and laughed pretty hard from the opening credits of Deadpool till the end of the last post-credits scene of Deadpool 2.

Piotrek: I’ll say again – Deadpool franchise is, for me, another proof superhero genre is mature enough to cover all the bases. We have your solid blockbusters, in the likes of Infinity War, light-hearted family comedies like Guardians, politically significant movies like Black Panther, really meaningful and moving Logan, and both Deadpools fill in the niche for smart, irreverent, fourth-wall breaking parodies. When we add TV, we have one of the best depictions of modern veterans in Punisher, very innovative Legion, and I’d even argue there are echoes of The Wire in Luke Cage.

Ola: …and Shaft 🙂

Piotrek: I have a feeling you really like Shaft. Maybe I should give it a second chance, I remember not being awed, but it was… about 20 years ago?

Ola: It’s not about this movie’s internal values as a piece of filmmaking – it’s about Shaft’s undeniable impact as a work of culture 😛 Majority of the new movies concerning African American, especially in the drama/thriller genre, consciously or subconsciously relate themselves to Shaft, because it was the first of such movies.

Piotrek: New Deadpool though… fun for everybody but the snobbiest critics! We’re so well entrenched the domination might last a while, and there are no significant threats on the horizon – although, to be honest, dinosaurs were certain of that too, right until the meteor hit.

Ola: It does seem the studios are exploiting this niche for all its worth. Your western analogy is very apt – movies based on comic books are similarly uniform in style and content, and as with westerns you can find magnificent movies right next to the epitomes of mediocrity. There was another movie genre in olden days that followed the same path of success and forgetfulness – movies based on the history and mythology of Roman Empire 😀 And there are some I wish I could unsee – like Jason and the Argonauts from 1963…

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Avengers: Infinity War (2018)

Spoilers ahead, beware! I’d say, with this movie the statue of limitations is short, and everybody is going to see it anyway, so there’s no point in writing a spoiler-free review 😉

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We went our friend Rodzyn to see the new Avengers movie on the very first day it was being played in Poland. It certainly is a complex, carefully constructed story of epic proportions, aiming to be a climax of the entire theatrical MCU so far. Most of the heroes we’ve met meet to fight the ultimate threat – Thanos. He’s been looming on the horizon since The Avengers, and now stepped up to become THE villain.

So… did they succeed, is it the greatest team-up, the biggest foe, the most epic struggle and the most heart-wrenching story of the MCU?

Piotrek: It… well, it is, for me. Not the best MCU movie, but definitely the proper culmination (or at least the first part of…) of all the interweaving storylines. The scale is bigger than anything that happened before, and a chaotic disaster on the DC scale was a real risk – but it works! It works, because we had a decade to prepare and now it just click together nicely.

Ola: I’m not sure if this indeed is a culmination – or, to be more precise, a final one. The superheroes surely deal with the biggest and baddest foe to date, and it is the most epic struggle of the MCU as we know it. However, the heart-wrenching part is a definite exaggeration on your part, Piotrek ;). It’s a wonderfully made, cleverly written, visually arresting, truly funny and sometimes even quite emotionally gripping – money grab 🙂

Piotrek: Isn’t everything. But it’s quite a good one, as blockbusters go. And it’s more than just a sequence of fights and quips.

Rodzyn: It’s hard not to admire the weavers behind MCU mentioned by Piotrek . After all those years we get to the skilfully crafted final stage, one that avid viewer can enjoy immensely. But neither the decor of epic battlefields nor the sheer number of assembled heroes gave me the most joy. In my eyes the best part of MCU are the relations and dynamics between our protagonists, ‘family drama’ feel of supernatural gathering.

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Star Wars: Episode VIII – The Last Jedi (2017)

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Ola: The Last Jedi is the second instalment in the new Star Wars trilogy, produced by Disney and without any direct involvement of George Lucas, the original creator of Star Wars universe. The Last Jedi starts right where Episode VII ended. My review for The Force Awakens, and my openly expressed criticism, can be found here. Episode VIII was supposed to open a new field of play, built on the flimsy foundations set in the derivative plot of Episode VII. Most of the fans had high hopes for The Last Jedi, both because of the immensely advanced technology allowing for more picturesque and dynamic scenes, and because it is the middle part of the trilogy – the analogies to The Empire Strikes Back were clear from the beginning, with Luke Skywalker doomed to reprise the role of Master Yoda.

The Last Jedi turned out to be a wholehearted reprisal of The Empire Strikes Back: with Dagobah set on a stony island, a reluctant hermit teaching the secrets of the Force to a young (but too old anyway!) and strong in the Force adept, a doom hanging on suddenly desperate Rebels… What happened to the New Republic? There are also some additional scenes taken out from The Return of the Jedi: our protagonist, trained in the ways of Force, tries to rescue the Big Bad Skywalker, in whom a conflict of darkness and light burns brightly… The protagonist is tortured by the evil Emperor with a badly distorted face and a penchant for terrible sneer (or Supreme Leader, whatever) only to be saved by the Big Bad Skywalker.

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I hope everyone’s already seen Episode VIII. Because my first question is: WTF??? Why are you, Disney, so bent on killing all the beloved characters of old trilogy? Is this some kind of ritualistic patricide? I mean, I probably should be glad you didn’t use pretzels as a means of gruesome death, but that’s not enough for me, not by a long shot.

Piotrek: I, on the other hand, had fun watching the latest installment of Star Wars franchise. I’d say it was a very nice movie, but perhaps not a good addition to the SW universe.

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Wonder Woman (2017) – votum separatum

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There’s been a lot of talk about Wonder Woman, very favorable reviews (one of them, by Piotrek, on this blog), fan hype and critical acclaim. The movie’s heyday is already past, with Justice League on screen and other superhero movies crowding the benches. So why do I come back to it now?

Well, probably partly because I’ve been recently reading Moses Finley’s seminal work, The World of Odysseus – very highly recommended to anyone interested in ancient Greece. And partly because the movie sits like a thorn in my side, its popularity and acclaim, when confronted with its painfully stereotypical message, truly baffling.

Wonder Woman has been hailed as the first superhero movie with a woman as a lead. This is surely something laudable? After all, thanks to this movie we’ve read about subversive feminism and whatnots, discussed chainmail bikinis as a source of empowerment or subjugation, depending on one’s stance, and so on. Even Gloria Steinem took a stand, saying the film was very good, although noting at the same time that she “may be desperate – […] just happy that the Amazons had wild hair”. It’s been called the best of DCU movies so far, and while it in itself is not a big feat, it definitely forces comparison to other movies. It all seems highly beneficial to a summer flick which on its own is rather mediocre. We’ve all probably heard the voice of reason, saying, “it’s not perfect, but better this than nothing”, “it’s a step in right direction”, “I’ve seen worse”.

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