Re-enchantment of the World’s Third Anniversary!

A summary time! 😉 We’re not very good at those, but we’ll try our best…ish 🙂 As we’ve already published an end-of-year summary, quite recently at that, this one will look a bit different. We’ve taken a look at our most popular posts, most controversial posts (measured by the amount of comments and the subjective evaluation of the temperature of discussion, both within the post and in the comments), as well as the overall performance of our blog. We’ll also take a look at the recent changes on Re-enchantment, both those already implemented and those still remaining in the plans. And if that’s not enough for you, we’ll embellish the post with some pretty shelfies 🙂


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But that day I thought only/Of the loneliness of the dying

This one will be unusual.

Imagine a slightly AU HP fanfic…


In a version of Wizarding Britain, where Grindelwald’s rule was particularly long and harsh, only the Purebloods were tolerated by the regime. Or rather allowed to live, we should say, as it was a brutal occupation, with the regime draining the resources to finance further conquests, and killing everybody who dared question it.

A point of some importance – it was an occupation by foreign forces, and the continental wizards and witches in Grindelwald’s service committed most of the atrocities uncovered by the American Expeditionary Forces that eventually ended Grindelwald’s Empire.

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Ursula K. Le Guin (1929 – 2018)


Ola: One of the best fantasy and science fiction writers ever, although she didn’t like that label and preferred to be called a novelist and a poet. A daughter of the famous cultural anthropologist, Alfred Kroeber, who documented the vanishing lifestyles of West Coast Native Americans, Le Guin always put the focus of her novels on people and their varied ways of living.

As she said in an interview with John Wray in 2013 for The Paris Review,

The “hard”–science fiction writers dismiss everything except, well, physics, astronomy, and maybe chemistry. Biology, sociology, anthropology—that’s not science to them, that’s soft stuff. They’re not that interested in what human beings do, really. But I am. I draw on the social sciences a great deal. I get a lot of ideas from them, particularly from anthropology. When I create another planet, another world, with a society on it, I try to hint at the complexity of the society I’m creating, instead of just referring to an empire or something like that.

Piotrek: She was the social scientist’s fantasy writer, just as Tolkien was an heir to the rich tradition of philology and traditional study of myths. Politically not neutral, never shying away from important issues of race, feminism and other forms of inequality. Full of passion, but also smart and well-read in theory. Wise and compassionate.

In literary disputes, she was a staunch defender of what we call genre fiction. I’ve mentioned it before, but let me quote from her Guardian interview from 2016:

Realism is a genre – a very rich one, that gave us and continue to give us lots of great fiction. But by making that one genre the standard of quality, by limiting literature to it, we were leaving too much serious writing out of serious consideration

She wrote reviews for Guardian, including one of Gaiman’s Norse Mythology, and she was harsher than Ola!

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David Petersen, Mouse Guard (2005-?)

Piotrek: I was very satisfied with myself when, recently, my little niece asked: why is it only uncle Piotr who knows comics? I try to keep Madzia (her sisters are too young) supplied with age-appropriate comics, stuff like Zita the Spacergirl or Yotsuba&, which means I get to read them, out loud and often multiple times 😉 And, since I’m the one to choose, it’s usually something I enjoy myself, but obviously, not things I read in my own reading time. The topic of this review is different. This is a series of graphic novels for everyone to enjoy. I’m not going to leave the verdict for the final parts, I’ll admit straight away: I really like David Petersen’s Eisner-winning Mouse Guard series.

Mysia straż

Ola: Don’t forget it’s my find! 😛 It’s indeed a perfect comic book for all ages 7 and up – first, it definitely helps if you can read on your own ;), and second, the plot, themes and execution are best understood when one is at least a tiny bit learned in the ways of the world, having read or listened to Hobbit, for example, or at least made a passing acquaintance with the material culture of medieval times… On the other hand, the educational aspects and the straightforwardness of the plot suggest a younger cant to the target audience. However, I believe that being young at heart is absolutely sufficient to properly appreciate the Mouse Guard story. It’s a decidedly different read to your average superhero comic books, but the heroic and quite adult themes are very much present in David Petersen’s work.

Nowy Dokument 2018-01-17_1

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Old year, new year…

Yet another year is coming to an end, and traditionally it is time to summarize past twelve months and make some resolutions for the next cycle… here we’ll cover blogging and reading.
Piotrek: Re-enchantment has changed a little. There are less posts – 71 vs 103 in 2016. Were we (and especially I) lazy? A bit, maybe, but as most of the traffic is generated by a limited number of most successful texts, I don’t think it’s a problem that we gave up on our previous two-posts-per-week schedule. We update regularly, and there are more two-shots, conversations that seem to be more popular, and certainly fun to make, but also more time consuming. So – I’d say the blog fares well.
Ola: I didn’t check it, but it also seems to me that our entries keep getting longer, turning into small essays 😉 We also seem to have less “meta” posts – something that we should focus on remedying in 2018.
Should we mention the Gallery ;)?


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Star Wars: Episode VIII – The Last Jedi (2017)


Ola: The Last Jedi is the second instalment in the new Star Wars trilogy, produced by Disney and without any direct involvement of George Lucas, the original creator of Star Wars universe. The Last Jedi starts right where Episode VII ended. My review for The Force Awakens, and my openly expressed criticism, can be found here. Episode VIII was supposed to open a new field of play, built on the flimsy foundations set in the derivative plot of Episode VII. Most of the fans had high hopes for The Last Jedi, both because of the immensely advanced technology allowing for more picturesque and dynamic scenes, and because it is the middle part of the trilogy – the analogies to The Empire Strikes Back were clear from the beginning, with Luke Skywalker doomed to reprise the role of Master Yoda.

The Last Jedi turned out to be a wholehearted reprisal of The Empire Strikes Back: with Dagobah set on a stony island, a reluctant hermit teaching the secrets of the Force to a young (but too old anyway!) and strong in the Force adept, a doom hanging on suddenly desperate Rebels… What happened to the New Republic? There are also some additional scenes taken out from The Return of the Jedi: our protagonist, trained in the ways of Force, tries to rescue the Big Bad Skywalker, in whom a conflict of darkness and light burns brightly… The protagonist is tortured by the evil Emperor with a badly distorted face and a penchant for terrible sneer (or Supreme Leader, whatever) only to be saved by the Big Bad Skywalker.


I hope everyone’s already seen Episode VIII. Because my first question is: WTF??? Why are you, Disney, so bent on killing all the beloved characters of old trilogy? Is this some kind of ritualistic patricide? I mean, I probably should be glad you didn’t use pretzels as a means of gruesome death, but that’s not enough for me, not by a long shot.

Piotrek: I, on the other hand, had fun watching the latest installment of Star Wars franchise. I’d say it was a very nice movie, but perhaps not a good addition to the SW universe.

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