An excursion into non-fiction #2: Yuval Noah Harari, Sapiens: A Brief History of Humankind (2011)

Author: Yuval Noah HarariIMG_20181211_210646

Title: Sapiens: A Brief History of Humankind

Edition: Vintage Books, Paperback

Pages: 498

Piotrek: Ambitious title for a 500 pages book, ain’t it? This young (born 1976) and charismatic Israeli historian – and his is a professional historian, with his DPhil thesis titled History and I : war and the relations between history and personal identity in Renaissance military memoirs, c.1450-1600. written in Oxford – aims to catch the essence of our history, as a species, in one tome. The result is certainly very successful, since 2011 published in multiple languages and its author became a public intellectual with TED Talks and countless interviews available on Youtube and elsewhere. We are here to judge if the world is right 😉

Ola: Oh well, there’s nothing like a catchy beginning, is there? 😛 But on a more serious note, Harari’s ambitions were huge, and a bit of hubris was, I guess, unavoidable – especially if you want to market a de facto historical book to a wide, mostly lay, public. Harari’s book, however, deserves its hype, for it’s written in a flowing, precise style, and delivers an abundance of catchy, well devised examples to better explain the more abstract concepts.

Continue reading

Robert Holdstock, Mythago Wood (1984)

Author: Robert Holdstock

Title: Mythago Wood (Ryhope Wood #1)

Edition: Gollancz Fantasy Masterworks, Paperback

IMG_20181201_114729

I love this series! Only one shelf now, but expanding…

Pages: 302

Robert Paul Holdstock was a British s/f and fantasy writer best known for his Ryhope Woods sequence. Novels that draw inspiration from Celtic mythology and the classic tropes of fantasy to create something original and mysterious, but decidedly not hear-warming. Readers beware, magic comes at high cost here and every bit of happiness is accompanied by pain and loss.

Continue reading

Ursula Le Guin, The Other Wind (2001)

One of the high points of the recent Witch Week was a discussion on Ursula Le Guin’s The Other Wind, the final Earthsea book. Inspired beyond our contribution to the comment section there, we decided to post this special two-shot review. Warning – there will be spoilers, there’s no point in avoiding that. This is a short novel, if you liked the previous ones, read it. If not, you will not like it, we promise…

IMG_20181124_155432

Prószyński i S-ka published one of the beautiful editions of the Earthsea, with one weak point – lack of illustrations. Saga Press (Gollancz in UK and I have this version) published the ultimate illustrated edition, with great art by Charles Vess.

Piotrek: I love Le Guin and I consider her to be one of the giants of the genre, quite close to Tolkien on my personal Olympus. I was happy to re-read the final book before the Witch Week – originally I wanted to re-read the entire cycle, but I only found time to read Wizard and this. To my astonishment I realised I’ve never read The Other Wind before! Why? It was published in 2001, Polish translation in 2003, after my last re-read of the Earthsea. Between then and now I’ve read a few of the Hainish novels, Malafrena, and some other one-shots and short stories, even her poems, but I somehow missed The Other Wind. It was a great joy to read it now, as I really find it a worthy conclusion of the cycle and a very good read in its own rights. Some of the loose ends come together, some stories end, Le Guin neatly ties up the world we revisit for the last time (in a novel format).

Ola: I’ve read The Other Wind before – but as a much younger person 😉 It defied my expectations then; not that I thought Ged’s retirement to be a punishment, as some of the readers apparently believed, according to Le Guin – but his drastic (to my 15 years younger self, at least) change of role and status – as well as the limited amount of space he took in the book – was a definite surprise. This time I see much more clearly how deftly Le Guin altered his role from the original hero to the wise man and mentor aiding a new hero on his new journey, still keeping Ged within the heroic cycle. The cyclical nature of life is, after all, one of the main themes of the novel.

Continue reading

Stan Lee (1922 – 2018)

Stan Lee © Jeff Vinnick/The Globe and Mail

The unstoppable force behind Marvel, the person responsible for putting the “hero” into “superhero”, transforming the erstwhile walking cardboards with ten commandments written on them into human (or godly) beings, full of foibles, insecurities and vices, but at the same time always striving to become better and to do better.

Lee as few others understood the human need for telling stories, for heroes, and for heroic journeys. He was the \co-creator of Spider-Man, the Mighty Thor, Iron Man, the X-Men, Doctor Strange, the Fantastic Four, the Incredible Hulk, Daredevil, Black Panther, and Ant-Man – as well as many other superhero characters. He was also a tireless advocate of introducing comic superheroes to the wider public, and his efforts brought us the wonderful recent Marvel superhero movie onslaught, irrevocably changing the comics’ place and magnifying their significance in pop-culture.

Piotrek: I’ve re-watched the first Captain America today with my Dad and the usual Stan Lee cameo made me smile. How many more did they manage to prepare? Probably just Captain Marvel and the second Infinity War movie…

Ola: Apparently all 2019 Marvel movies will have Stan Lee cameo. It’s become such a feature of the Marvel movies that it’s difficult to imagine a movie without his appearance 😉 As John Romita put it in one of his interviews,

He’s a con man, but he did deliver.

He was one of the rare giants that transform their chosen field irrevocably – a facilitator, a face, an moving force behind the scenes, an impresario.  He led a full, adventurous life that brought us much joy and inspiration.

Thank you, sir, and farewell!

‘Nuff said.

Brian Azzarello, J.G. Jones, Lee Bermejo, Before Watchmen: Comedian/Rorschach (2013)

Before Watchmen

Author: Brian Azzarello (writer), J.G. Jones, Lee Bermejo (illustrations)

Title: Before Watchmen: Comedian/Rorschach

Format: Hardcover

Pages: 256

Thank gods for libraries! Because if I’d bought this, driven by nostalgia, authors’ fame, or some misplaced need for adventure, or a revisit of the universe before HBO’s TV series scheduled for next year, I’d have been furious. All right, I knew the Watchmen prequels were a shameless money grab, there was no doubt about it. But I also hoped for some kind of tribute, a homage, or a thoughtful reimagining of the ideas and social commentary presented by Moore and Gibbons in the story and characters from Watchmen.

Watchmen

Need I say more? I probably ought to 😉 So, first things first, Moore’s and Gibbons’ Watchmen are on my list of favorite graphic novels of all time. Gritty, subversive, digging deep into the American superhero mythos and collective identity, Watchmen became at once the grist and the mill of the pop culture, simultaneously giving it lasting imagery and the tools to analyze it. We should probably do a Two-shot post on Watchmen here at Re-Enchantment, but because our views on the work of Moore and Gibbons are very similar, there wouldn’t be much suspense or tension. We might only have some differences of opinion regarding certain characters and plot devices (the fated pirate story, ekhm…), but our overall reviews would be quite alike.

I have been circling around Before Watchmen for a while now, at first dismissing this idea as a blatant and ill-conceived effort to capitalize on Moore and Gibbons’ work – and DC’s already done more than enough bad things in this regard. However, when I saw the Comedian/Rorschach book in my local library, I decided to finally give it a chance and overcome my prejudice – after all, I thought, Azzarello of 100 Bullets and Batman fame wouldn’t butcher Moore’s ideas.

I couldn’t have been more wrong.

Continue reading

The Women in the World of Witcher – Extended Edition

The Witcher! Monster-slaying character from computer games, soon to be made into a Netflix series starring Henry Cavill… but, also, as more and more people in the English-speaking world begin to realise, a book series by Andrzej Sapkowski. Well, actually, as some of you might be aware, the books predate games by almost two decades. The Witcher saga, which gave Sapkowski World Fantasy Award (Lifetime Achievement, 2016) and Gemmell (2009), is finally fully translated into the language of Shakespeare, so it’s a good time to check it out before we get a chance to see the Netflix adaptation. One of the reasons it’s worth your time – and a good topic to discuss during Witch Week – is a multitude of female characters. Many of them are strong women, active, and extremely important for the plot, which is set in a realistic European-medieval fantasy world where gender balance is a bit more equal than in our history, and not only due to the existence of powerful sorceresses. And that is what we want to discuss today, for the general review of the series we invite you to go here. We will try to keep the text spoiler-free, at least in regards to the major events, as our opinions about major characters will be visibly informed by our knowledge of their actions and fate.

p00

Continue reading

Witch Week Day 3 – Re-Enchantment’s view on women of Sapkowski’s Witcher Saga

We are proud to announce that our contribution to the exciting Witch Week is live, both on Calmgove’s and Lizzie’s blog. We strongly encourage you to go there, read and comment on what we believe to be a very interesting topic 🙂

1200px-W3_SS_Yennefer_6

Someday soon, an extended version will be posted here, but don’t wait that long 😉

Thanks again for making us part of that fascinating event!!